Series | Face | Comments | U.A. |
---|---|---|---|
1 | Modern (No.1) | Roman and Italic | 1:(6-12pt) 1a:(14pt) |
1901, based on a Miller & Richards face | |||
2 | Old Style (No.2) | Roman and Italic | 1:(6-12pt) 1a:(14pt) |
1901, based on a Miller & Richards face | |||
3 | Antique Old Style (No.3) (aka Old Style Antique) | Roman and Italic 1902 | 2 |
4 | Grotesque Condensed (aka Gothic) | Roman 1902 W/d in 1967 | 1b |
5 | Albion (No.1) | Roman | 2 |
6 | Modern (No.4) (aka Ionic) | Roman and Italic W/d in 1967 | 1 |
7 | Modern Extended (No.1) | Roman and Italic | 1 |
1902, slightly expanded version of Modern 1 | |||
8 | Old Style Condensed | Roman and Italic W/d in 1967 | 1 |
9 | Latin Antique (aka Antique Latin) | Roman | 2 |
10 | Ronaldson (aka Ronaldson Old Style) | Roman and Italic | 1 |
11 | Grotesque Bold Condensed (aka Grotesque) | Roman 1908 W/d in 1967 | 2 |
11 | Grotesque Bold Condensed | Cyrillic. W/d in 1967 | |
12 | Clarendon | Roman 1903 | 2 |
13 | Modern Condensed (No.1) | Roman and Italic | 1 |
14 | Modern Condensed (No.2) | Roman and Italic | 1 |
15 | Grotesque Bold Condensed (No.2) (aka Sans-Serif or Sanserif) | Roman and Italic 1902 | 2:(roman) 3:(italic) |
16 | Modern Wide (No.1) | Roman and Italic | 1 |
17 | Cushing | Roman and Italic W/d in 1967 | 1 |
17 | Cushing | Cyrillic 1907 W/d in 1967 | |
18 | Modern Wide (No.2) | Roman and Italic | 1 |
19 | Elzevir | Roman and Italic | 1 |
20 | Old Face (Special) | Roman and Italic 1903 W/d in 1967 | 6 |
21 | De Vinne Condensed (aka De Vinne) | Roman W/d in 1967 | 2 |
22 | Schoeffer | Roman. W/d in 1964 | 2 |
23 | Iroquois Condensed | Roman. W/d in 1964 | 2 |
24 | Gaelic | Gaelic 1903 | 23:(6-12pt) 108:(14-18pt) 109:(24pt) |
25 | Modern Wide (No.3) | Roman and Italic | 1 |
26 | Modern Wide (No.4) | Roman and Italic | 1 |
27 | Neo Didot | Roman and Italic 1904 | 1 |
27 | Neo Didot | Cyrillic | |
28 | Wittenberger Fraktur | Fraktur 1904 | |
29 | Wittenberger Fraktur Halbfette | Fraktur | |
30 | Modern Wide (No.5) | Roman and Italic | 1 |
31 | Armin Fraktur | Fraktur | |
32 | Armin Fraktur Fette | Fraktur | |
33 | Grotesque Condensed (No.2) (aka Grotesque) | Roman | 2:(6-13½pt) 395:(22pt) |
33 | Grotesque Condensed | Cyrillic | |
34 | Armin Fraktur Halbfette | Fraktur. W/d in 1967 | |
35 | Neue Schwabacher | Fraktur | |
36 | Neue Schwabacher Halbfette | Fraktur | |
37 | Bamberger Fraktur | Fraktur. W/d in 1967 | |
38 | Fraktur | Fraktur. W/d in 1964 | |
39 | Modern Condensed (No.3) | Roman and Italic | 1 |
39 | Modern Condensed | Cyrillic | |
40 | Kasseler Fraktur | Fraktur | |
41 | Kasseler Fraktur Halbfette | Fraktur | |
42 | Albion (No.2) (aka Albion Half Fat) | Roman | 2 |
42 | Albion | Cyrillic | |
43 | Scotch Roman (aka Old Face) | Roman and Italic W/d in 1967 | 1 |
44 | French Round Face | Roman and Italic | 1 |
44 | French Round Face | Cyrillic | |
45 | Old Face Standard | Roman and Italic 1906-7. W/d in 1967 | 1 |
46 | Scotch Roman (No.1) (aka Old Face) | Roman and Italic 1910 | 1 |
Based on Richard Austin's face for Miller & Richards c.1809 | |||
47 | Regensburger Fraktur | Fraktur. W/d in 1967 | |
48 | Bamberger Fraktur Halbfette | Fraktur. W/d in 1964 | |
49 | Bamberger Fraktur Fette | Fraktur. W/d in 1967 | |
50 | Old Style Condensed | Roman and Italic W/d in 1967 | 1 |
51 | Grotesque (No.2) | Roman 1910 | 2:(6-12pt) 124:(14-18pt) 125:(24pt) |
51 | Grotesque (No.2) | Cyrillic | |
52 | Schurmann Antiqua Halbfette (aka Modern Mediaeval (Half-Fat)) | Roman W/d in 1967 | 5 |
53 | Old Style Bold (No.1) (aka Bold Face) | Roman and Italic 1911 | 3:(roman 5½-12pt) 76:(italic 6-12pt) 100:(roman 14-18pt) 101:(roman 24pt) |
54 | Modern Bold Italic (aka Italic Display) | Italic | 3 |
55 | Gloucester Bold Italic (No.2) (aka Old Style Italic Display) | Italic W/d in 1967 | 3 |
56 | Kölner Fraktur | Fraktur. W/d in 1972 | |
57 | Kölner Fraktur Halbfette | Fraktur. W/d in 1967 | |
58 | Kölner Fraktur Fette | Fraktur. W/d in 1972 | |
59 | Veronese | Roman and Italic 1911 W/d in 1967 | 4:(11-12pt) 106:(roman 14-18pt) 128:(italic 14-18pt) 107:(roman 24pt) 129:(italic 24pt) |
60 | Latin Antique (No.2) (aka Antique Latin) | Roman | 2 |
61 | Solis Fraktur | Fraktur. W/d in 1967 | |
62 | Solis Fraktur Fette | Fraktur. W/d in 1964 | |
63 | Albion (No.3) | Roman | 2 |
63 | Albion | Cyrillic | |
64 | Moderne Fraktur | Fraktur | |
65 | Neo Didot (No.2) | Roman and Italic | 1 |
66 | Moderne Fraktur Fette | Fraktur | |
67 | Old Style (aka Mediaeval Old Style) | Roman and Italic W/d in 1967 | 1 |
68 | French Old Style (No.1) | Roman and Italic | 1 |
68 | French Old Style | Cyrillic | |
69 | French Old Style Bold (aka French Old Style (Half-Fat)) | Roman | 2 |
69 | French Old Style Bold | Cyrillic | |
70 | Albion (No.4) | Roman | 2 |
70 | Albion | Cyrillic | |
71 | Didot | Roman and Italic | 1 |
72 | Egyptian Extended | Roman | 3 |
73 | Grotesque Bold (No.3) (aka Gothic Extended) | Roman | 3 |
74 | Albion Extended (aka Antique Extended) | Roman | 3 |
75 | Modern Wide (No.6) | Roman and Italic W/d in 1967 | 1 |
75 | Modern Wide | Cyrillic. W/d in 1967 | |
76 | French Face Extended | Roman and Italic W/d in 1967 | 1 |
77 | Modern Extended (No.2) | Roman and Italic W/d in 1967 | 1 |
77 | Modern Extended | Cyrillic. W/d in 1967 | |
78 | Latin Antique (No.3) (aka Antique Latin) | Roman | 2 |
79 | Modern Condensed (No.4) | Roman and Italic W/d in 1965 | 1 |
80 | Modern (No.2) | Roman and Italic W/d in 1967 | 1 |
81 | Grotesque Bold Condensed (aka Sans-Serif or Sanserif) | Roman | 2 |
82 | Typewriter (No.1) | Roman | 28 |
82 | Typewriter (No.1) | Roman Underlined | 28 |
83 | Wurzberger Fraktur | Fraktur. W/d in 1972 | |
84 | Latin Antique (aka Antique Latin) | Roman W/d in 1967. | 2 |
85 | Gaelic Display | Gaelic | 24:(8-12pt) 110:(14-18pt) 111:(24pt) |
86 | Moderne Schwabacher | Fraktur. W/d in 1972 | |
87 | Moderne Fraktur Halbfette | Fraktur. W/d in 1967 | |
88 | Modern Mediaeval (aka Mediaeval Modern) | Roman and Italic W/d in 1964 | 4 |
89 | Neudeutsche Fraktur (aka Fraktur Antiqua) | Roman W/d in 1967 | 1 |
90 | Greek: Upright (aka Upright Greek) | Greek. 1910 | 26 |
91 | Greek: Inclined (aka Inclined Greek) | Greek | 26 |
92 | Greek: Bold Upright (aka Greek Upright Display) | Greek | 27 |
93 | Moderne Schwabacher Halfbette | Fraktur. W/d in 1972 | |
94 | Große Moderne Fraktur | Fraktur. W/d in 1967 | |
95 | Modern (No.5) | Roman and Italic W/d in 1967 | 1 |
96 | Gothic | Russian. W/d in 1965 | |
97 | Grotesque Bold (No.2) (aka Wide Gothic) | Roman W/d in 1967 | 2 |
97 | Grotesque Bold | Cyrillic. W/d in 1967 | |
98 | Alte 'Monotype' Fraktur | Fraktur. W/d in 1972 | |
99 | Gloucester Old Style (aka Gloucester) | Roman and Italic. 1911, based on Bertram Goodhue's Cheltenham | 4:(6-13½pt) 116:(18pt) 117:(24pt) |
100 | Typewriter (No.2) | Roman | 28 |
100 | Typewriter (No.2) | Roman Underlined | 28 |
101 | Imprint (aka Imprint Old Face) | Roman and Italic. 1912, by Meynell/Mason/Johnston, based on Caslon | 4:(6-13½pt) 106:(16pt & roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
102 | Alte Schwabacher | Fraktur. W/d in 1972 | |
103 | Gloucester Bold | Roman and Italic | 5:(6-14pt) 103:(18pt) 119:(24pt) |
104 | Old Style | Roman and Italic W/d in 1964 | 1 |
105 | Typewriter (No.3) | Roman | 28 |
105 | Typewriter (No.3) | Roman Underlined | 28 |
106 | Porson (aka Greek: Porson) | Greek | 26 |
107 | Egyptian (No.1) | Roman | 2 |
108 | Italian Old Style | Roman and Italic 1919, release delayed by war | 4 |
109 | French Old Style | Roman and Italic W/d in 1967 | 1 |
110 | Plantin | Roman and Italic. 1913, based on Granjon's type for Plantin | 4:(5½-12pt) 4a:(13½pt) 363:(14pt) 106:(roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
111 | French Modern | Roman and Italic W/d in 1967 | 1 |
112 | Egyptian Condensed | Roman. W/d in 1967 | 2 |
113 | Plantin Light (aka Plantin Light Face or Light Face Plantin | Roman and Italic | 4:(6-12pt) 106:(roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
113 | Plantin Light | Cyrillic | |
114 | Trojan | Roman. W/d in 1967 | 81 |
115 | Newspaper Smalls (aka Newspaper Small Adverts) | Roman W/d before 1966 | 30 |
116 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |
117 | Gaelic Sans-Serif (aka Gaelic or Gaelic Display) | Gaelic | 25 |
118 | Mainzer Fraktur | Fraktur. W/d in 1972 | |
119 | Blado | Italic. 1923, based on Arrighi 1526 | 53:(10-13pt) 139:(roman 16pt) 142:(italic 16pt) |
120 | Bodoni Ultra Bold (aka Ultra Bodoni) | Roman and Italic | |
120 | Bodoni Ultra Bold | Cyrillic | |
121 | Gaelic: Colm Cille (aka Colum Cille) | Gaelic | 407:(10pt) 147:(14pt) |
122 | Old Style (Prumyslava) | Roman | 453 |
123 | Worcester Old Face | Roman and Italic W/d in 1965 | 4 |
124 | Antique Old Style (No.1) (aka Old Style Antique) | Roman and Italic W/d in 1967 | 1 |
125 | Mediaeval (l.c. and three caps only) | W/d in 1965 | |
126 | Grotesque Light (No.1) (aka Grotesque) | Roman and Italic | 420:(roman 5-5½pt) 431:(italic 5-5½pt) 64:(roman 6½-13pt) 396:(italic 6½-13pt) |
127 | Typewriter (No.4) | Roman | 28 |
128 | Caslon (aka Caslon Old Face) | Roman and Italic. 1915, based on Caslon 1734 | 7:(8pt) 8:(9pt) 9:(10pt) 10:(11pt) 11:(12pt) 12:(small 14pt) 384:(large 14pt) 104:(18pt) 160:(20-small 24pt) 105:(large 24pt) |
129 | Egyptian Bold (No.1) (aka Egyptian) | Roman | 3 |
130 | Egyptian | Roman W/d in 1967 | 3 |
131 | De Vinne | Roman. W/d in 1967 | 400 |
132 | Mainzer Fraktur Halbfette | Fraktur | |
133 | Chu Yin | W/d in 1967 | |
134 | Mediaeval | Roman. W/d in 1965 | 4 |
135 | Bodoni (No.3) | Roman and Italic. 1921, based on Bodoni 1740-1813 | 1:(6-12pt) 398:(14pt) 77:(roman large 14-18pt) 161:(italic large 14-18pt) 78:(roman 24pt) 425:(italic 24pt) |
136 | Mediaeval | Roman. W/d in 1965 | 4 |
137 | Scotch Roman (No.2) (aka Old Face) | Roman and Italic. 1920 | 13:(8pt) 14:(9pt) 15:(10pt) 16:(11pt) 17:(12pt) 144:(roman 14-24pt) 151:(italic 14-18pt) |
138 | Bold Face No.3 | Roman. W/d in 1965 | 3 |
139 | Spartan Light (aka Plate Gothic) | Roman | 18 |
140 | Spartan (aka Gothic Plate or Plate Gothic) | Roman | 18:(6-12pt) 157:(4&5 24pt) 155:(2&3 24pt) |
141 | Spartan Bold (aka Gothic Plate or Plate Gothic) | Roman | 18 |
142 | Spartan Light Condensed (aka Plate Gothic) | Roman | 146:(5pt) 18:(6-12pt) |
143 | Spartan Condensed (aka Gothic Plate or Plate Gothic) | Roman | 18 |
144 | Spartan Italic (aka Plate Gothic Italic) | Italic | 18 |
145 | Spartan Wide (aka Plate Gothic) | Roman | 18 |
146 | Engravers' Titling (aka Engraver's Title) | Roman | 18 |
147 | Engravers' Bold Titling (aka Engravers' Titling or Engraver's Title or Engravers' Titling Bold) | Roman | 18 |
148 | French Old Style | Roman and Italic W/d in 1967 | 1 |
149 | Italian Old Style Bold (aka Italian Old Style Display) | Roman | 5:(6-13pt) 131:(14-18pt) 132:(24pt) |
150 | Grotesque Bold Extended (No.1) (aka Gothic) | Roman and Italic | 22:(roman 6pt) 309:(italic 6pt) 40:(roman 8-14pt) 310:(italic 7-12pt) 148:(roman 18pt) 149:(roman 24pt) |
151 | Old Style (No.4) | Roman and Italic | 20:(6-11pt) 20a:(12pt) 52:(small 14pt) 133:(roman 18-24pt) 358:(italic 18pt) |
152 | Gloucester Wide (aka Gloucester Old Style Wide) | Roman and Italic W/d in 1967 | 36:(6-12pt) 134:(roman 18pt) 135:(roman 24pt) |
153 | Ionic (No.4) (aka Antique Extended) | Roman W/d in 1967 | 1 |
154 | Chiswell Old Face (aka Old Face) | Roman and Italic | 102:(roman 14-18pt) 103:(roman 24pt) |
155 | Devanagari | Devenagari | |
156 | Garamond | Roman and Italic. 1922. Roman based on Jannon 1620, Italic on Granjon 16c. | 37:(6pt-12D) 99(14D) 114:(roman 14-24pt) 115:(italic 14-24pt) |
157 | Clearface Bold | Roman and Italic | 2:(roman 6-12pt) 120:(roman 14-18pt) 123:(roman 24pt) |
158 | Gloucester Old Style (aka Gloucester Old Style Condensed or Gloucester) | Roman and Italic W/d in 1967 | 4 |
159 | Old Style Bold (No.2) (aka Old Face Heavy) | Roman | 32:(8-12pt) 112:(14-18pt) 113:(24pt) |
160 | Gloucester Bold Italic (No.1) | Italic | 3 |
161 | Antique Old Style (No.2) (aka Old Style Antique) | Roman and Italic | 29:(roman 6-11pt) 41:(roman 12pt) 126:(roman 14-18pt) 127:(roman 24pt) 54:(italic 6-12pt) |
162 | Egyptian | Roman W/d in 1967 | 3 |
163 | Newspaper Smalls | W/d in 1967 | |
164 | Latin Wide (aka Wide Latin) | Roman W/d in 1967 | 19 |
165 | Cochin | Roman and Italic. 1927, based on Peignot 1812, based on Cochin 18c. | 67:(6D-13pt) 174:(roman 14pt) 173:(italic 14pt) |
166 | Grotesque Bold Condensed Titling (aka Grotesque Bold Condensed No.4 or Gothic Narrow or Narrow Gothic) | Roman | 403:(12pt) 121:(14pt) |
166 | Grotesque Bold Condensed Titling | Cyrillic | |
167 | De Vinne Italic (aka Bold Face or Bold Italic) | Italic W/d in 1967 | 3 |
168 | Grotesque Bold Extended (No.2) (aka Gothic) | Roman W/d in 1967 | 122 |
169 | Baskerville | Roman and Italic. 1923, based on Baskerville 1757 | 43:(6-14pt) 136:(large 14-24pt) also 141:(italic 14-18pt) 150:(italic 24pt) |
169 | Baskerville | Cyrillic | |
170 | Poliphilus | Roman. 1923, based on Griffo's 1496 type for Aldus | 53:(10-13pt) 139:(roman 16pt) 142:(italic 16pt) |
171 | Egyptian Bold (aka Eqyptian) | Roman W/d in 1967 | 39 |
172 | Gloucester Bold | Roman. W/d in 1967 | 5 |
173 | Egyptian (No.4) | Roman | 137:(14-18pt) 138:(24pt) |
174 | Garamond Italic (No.2) | Italic. The Roman was w/d before 1966 | 42:(6-12pt) 140:(14-24pt) |
175 | Rockwell Shadow (aka Rockwell Shadow Titling) | Roman | |
176 | Old Style Bold Outline (aka Outline or Bold Face Outline) | Roman | 100 |
177 | Newspaper Small Ads (aka Gothic or Grotesque Newspaper Smalls) | Roman W/d in 1965 | |
178 | Barbou | Roman and Italic. 1926, based on Fournier 1742 | 447 |
179 | Modern Titling (aka Titling or Titling Modern No.1) | Roman and Italic The Italic was w/d before 1966 | 47:(roman 8-11pt) 48:(italic 8pt) 46:(roman 12pt) |
180 | Victoria Bold Condensed Titling (aka Titling or Titling Condensed or Titling: Victoria Bold Condensed) | Roman | 49 |
181 | Victoria Condensed Titling (aka Titling) | Roman | 50 |
182 | Victoria Titling (aka Titling or Titling: Victoria) | Roman | |
183 | Modern (aka Titling) | Roman W/d in 1967 | |
184 | Ionic (No.3) (aka Egyptian) | Roman W/d in 1967 | 51 |
185 | Fournier (aka Fournier Old Face) | Roman and Italic 1925 | 59:(8-13½pt) 446:(14pt) |
Based on Fournier's St Augustin Ordinaire 1742 | |||
186 | Schmale Nurnburger Gotisch | W/d in 1965 | |
187 | Schmalfette Frankfurter Fraktur | Fraktur. W/d in 1967 | |
188 | Horley Old Style (superceded by series 199) | W/d in 1965 | |
189 | Modern (No.3) | Roman and Italic | 1 |
190 | Imprint Shadow | Roman and Italic | 4:(roman) 68:(italic) |
191 | Minion | ||
192 | New Hellenic | Greek | 73 |
193 | Newspaper Smalls | Roman. W/d in 1965 | |
194 | Plantin Bold (aka Plantin Heavy) | Roman and Italic | 5:(roman 6-13½pt) 3:(italic 6-12pt) 158:(roman 14pt) 381:(italic 14pt) |
194 | Plantin Bold | Cyrillic | |
195 | Bodoni Bold | Roman | 3 |
196 | Surrey Old Style | Roman. W/d in 1967 | |
197 | Canterbury | Roman. W/d in 1967 | 57 |
198 | Gloucester Bold Condensed | Roman | 60 |
199 | Horley Old Style | Roman and Italic | 56:(6-13pt) 362:(14pt) 367:(18pt) 368:(24pt) |
200 | Perpetua Bold Titling | Roman | 145 |
201 | Garamond Bold (aka Garamond Heavy) | Roman and Italic | 61:(roman 6-12pt) 315:(italic 6-12pt) 342:(roman 14pt) 154:(roman 18-24pt) |
201 | Garamond Bold | Cyrillic | |
203 | Van Dijck | Roman and Italic. 1935, by Jan van Krimpen, from 17c types | 354:(7-14pt) 423:(14-18pt) |
204 | Grotesque Light Condensed (aka Light Face Gothic or Gothic Light Face) | Roman W/d in 1967 | 58 |
205 | Unger Fraktur | Fraktur. W/d in 1972 | |
206 | Pastonchi | Roman and Italic. 1927 | 69:(9-13pt) 175:(roman 14pt) |
207 | Antique Old Style (aka Antique (No.1)) | Roman and Italic | 70 |
208 | Gwendolin | W/d in 1967 | |
209 | Caslon Titling (aka Titling) | Roman | |
210 | Musical Signs | ||
211 | Century (No.2) (aka Modern) | Roman | 1 |
212 | Grotesque | Roman. W/d in 1964 | 62 |
213 | Bernard Condensed (aka Condensed Bold) | Roman | 337 |
214 | Goudy Extra Bold (aka Goudy Heavy or Goudy Heavy Face) | Roman and Italic | 95 |
215 | Grotesque (No.1) (aka Grotesque Half Fat) | Roman and Italic. 1926, based on a German origin | 421:(roman 5pt) 429:(italic 5pt) 65:(roman 6½-13pt) 401:(italic 6½-13pt) |
216 | Grotesque Bold (No.1) (aka Grotesque or Grotesque ¾ Fat) | Roman and Italic | 422:(roman 5pt) 66:(roman 6½-13pt) 440:(italic 8-13pt) |
217 | Peninim Pointed (aka Hebrew Peninim Pointed) | Hebrew | |
218 | Sonzino (Pointed) (aka Hebrew Sonzino Pointed) | Hebrew | |
219 | Ashurith (Unpointed) (aka Hebrew Ashurith) | Hebrew | |
220 | Peninim (Unpointed) (aka Hebrew Peninim) | Hebrew | |
221 | Levênim (Unpointed) (aka Hebrew Levenim) | Hebrew | |
222 | Hebrew (aka Unpointed Hebrew) | Hebrew | |
223 | Devonshire Bold (aka Heavy Antique) | Roman W/d in 1967 | |
224 | Devonshire Bold Condensed (aka Condensed Heavy Antique) | Roman W/d in 1967 | |
225 | Colonna | Roman | |
226 | Treyford | (for O.U.P.) | |
227 | Century Schoolbook (aka Century (No.1)) | Roman and Italic. 1934, re-cut from Century magazine 1894 | 369:(10-14pt) 370:(18-24pt) |
228 | Rabbinic (aka Hebrew Rabbinic) | Hebrew | |
229 | Newspaper Small Ads (aka News Advertisements) | W/d in 1965 | |
230 | Poliphilus Titling | Roman | |
231 | Gill Sans Titling (aka Gill Sans-Serif Titling) | Roman | 84 |
232 | Old Style Antique Italic | Italic. W/d in 1965 | 373 |
233 | Gill Sans Cameo (aka Gill Sans-Serif Cameo) | Roman | |
233 | Gill Sans Cameo | Cyrillic | |
234 | Shakespeare Titling (aka Titling: Shakespeare) | Roman W/d in 1967 | |
235 | Typewriter (No.5) (aka Elite Typewriter) | Roman | 28 |
236 | Plantin Bold Condensed (aka Plantin Heavy Condensed) | Roman | 72:(6-13pt) 366:(14pt) |
237 | Modern French | (for Imprimerie Nationale) | |
238 | Ashley Crawford | W/d in 1967 | |
239 | Perpetua | Roman and Italic. 1928, by Eric Gill | 96 |
240 | Old Face | Roman and Italic W/d in 1964 | 385 |
241 | Egyptian | (for Imprimerie Nationale) | |
242 | Gloucester Condensed (aka Gloucester Old Style Condensed) | Roman. W/d in 1967 | 74 |
243 | Gloucester Bold Extended | Roman | 75 |
244 | Gothic Caps | Roman. W/d in 1965 | 79 |
245 | Old Style Bold Italic (aka Bold Face Italic No.2) | Italic W/d in 1967 | 76 |
246 | Othello | Roman | 85 |
247 | Modern French | (for Imprimerie Nationale) W/d in 1965 | |
248 | Othello Shadow | Roman. W/d in 1967 | |
249 | Goudy Modern | Roman and Italic. 1929, by Frederic Goudy | 87 |
250 | Modern Condensed (aka Modern (No.6)) | Roman | 92 |
251 | Egyptian Condensed (No.3) (aka Egyptian) | Roman | 63 |
252 | Centaur (The Italic aka Arrighi Italic) | Roman and Italic | 90:(6-12pt) 322:(14pt) 165:(roman large 14-24pt) 166:(italic large 14-24pt) |
1929. Roman based on Wiebking for Bruce Rogers 1914, based on Jenson's Venetian 1470. Italic by Frederic Warde based on Arrighi's Chancery 1524 | |||
253 | Old Style Bold (aka Bold Face No.2 or Bold Face Special Line) | Roman W/d in 1967 | 3 |
254 | Bodoni (No.4) | Roman 1925 W/d in 1967 | |
255 | Lutetia | Roman and Italic. 1930 by Jan van Krimpen. As cut by Enschedé 1925 | 334:(9pt) 306:(10pt) 307:(13pt) 308:(14D) 170:(roman 16D) 171:(italic 16D) 172:(roman 20D) |
256 | Dürer Fraktur | Fraktur | |
257 | Modern Wide (No.7) (aka Modern) | Roman and Italic W/d in 1967 | 1 |
258 | Perpetua Titling | Roman | 97 |
259 | Antigone | Greek | 432 |
260 | Bodoni Bold (No.2) (aka Bodoni Heavy) | Roman and Italic | 2:(roman 6-13pt) 143:(italic 6-13pt) 417:(roman 14pt) 416:(italic 14pt) |
260 | Bodoni Bold | Cyrillic | |
261 | Horley Old Style Bold (aka Horley Old Face Heavy) | Roman | 80 |
262 | Gill Sans (aka Gill Sans-serif) | Roman and Italic. 1929, by Eric Gill | 82:(roman 5-14pt) 311:(italic 5-14pt) 383:(roman 18pt) |
262 | Gill Sans | Cyrillic | |
263 | Modern Cancellation Fount | Roman | 1 |
264 | Albion | W/d in 1965 | |
265 | Ionic (No.1) | Roman and Italic W/d in 1967 | 321 |
266 | Gloucester Bold Condensed | W/d in 1965 | |
267 | Sans-serif | W/d in 1965 | |
268 | Goudy Catalogue | Roman and Italic | 83 |
269 | Goudy Bold (No.1) | Roman and Italic | 88 |
270 | Bembo (aka Aldine Bembo) | Roman and Italic. 1929. Roman based on Griffo 1495 for Aldus, Italic on Tagliente 1529 | 91:(6-14pt) 163:(roman 16pt) 164:(italic 16pt) 169:(roman 18-24pt) 168:(italic 24pt) |
271 | Cloister Bold | Roman and Italic W/d in 1967 | 86 |
272 | Cloister Old Style | Roman and Italic W/d in 1967 | 89 |
273 | Wigan Condensed | Roman. W/d in 1965 | |
274 | Grotesque Light Condensed (No.2) (aka Grotesque) | Roman | 427:(5D) 94:(6D-13D) |
275 | Gill Sans Bold (aka Gill Bold Sans-Serif) | Roman and Italic | 93:(roman 5-14pt) 302:(italic 5½-14pt) 402:(roman 18pt) |
275 | Gill Sans Bold | Cyrillic | 302 |
276 | Solus | Roman 1929. W/d in 1967 | 320 |
277 | Unger Fraktur Halbfette | Fraktur. W/d in 1972 | |
278 | Braggadocio | Roman | |
279 | Ashley Crawford Plain | Roman. W/d in 1967 | |
280 | Tamil | Tamil | |
281 | Plantin Old Style (No.2) | Roman. W/d in 1967 | 305 |
282 | Egyptian Bold Condensed (aka Heavy Egyptian) | Roman | 313 |
283 | Perpetua (aka Greek Perpetua) | Greek. W/d in 1967 | |
284 | Littleworth | Roman. W/d in 1967 | 371 |
285 | Fournier Shortened Capitals (aka Fournier Old Face (Shortened Caps)) | Roman and Italic | 59 |
286 | Deutsch Romisch Bold | Roman. W/d in 1967 | 304 |
287 | Plantin Bold (aka Plantin Heavy No.2) | Roman W/d in 1968 | 5 |
288 | Bodoni (No.1) | Roman and Italic W/d in 1966 | 364 |
289 | Plantin Condensed | Roman and Italic W/d in 1967 | 4 |
290 | Gill Sans Shadow Line (aka Gill Sans-serif Shadowline) | Roman | |
291 | Goudy Old Style | Roman and Italic | 312 |
1930, by Frederic Goudy (copy of an ATF face) | |||
292 | Goudy Text | fraktur | 339 |
293 | Lombardic Capitals | Roman | 343 |
294 | Bembo Condensed Italic (aka Narrow Bembo Italic) | Italic | 360:(10-13pt) 361:(16pt) |
a294 | Goudy Bold (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
295 | Centaur Titling | Roman | |
a295 | Cloister Bold (Lanston Monotype) | Loan Library omitted after 1958 | |
296 | Erfurter Fraktur | Fraktur. W/d in 1964 | |
297 | Acier | (not issued). W/d in 1965 | |
a297 | Modernistic (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
298 | Deutsch Romisch | Roman and Italic W/d in 1970 | 303 |
299 | Gill Sans Cameo Ruled (aka Gill Sans-Serif Cameo Ruled) | Roman | |
300 | Ulmer Fraktur Fette | Fraktur. W/d in 1964 | |
301 | Typewriter (No.6) | (Elite) Roman | 28 |
302 | Typewriter (No.7) | (Pica) Roman W/d in 1967 | 28 |
303 | Gloucester Bold | Roman. W/d in 1965 | |
304 | Gill Sans Shadow Titling (aka Gill Sans-Serif Shadow) | Roman | |
305 | Kino | Roman | |
306 | Crossword Puzzle Solution | ||
a306 | Broadway (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
307 | Antique | Roman and Italic W/d in 1965 | 70 |
a307 | Broadway Engraved (Lanston Monotype) | Loan Library omitted after 1958 | |
308 | Helen Fraktur | Fraktur. W/d in 1964 | |
309 | Crossword Squares | Cancelled | |
Issued instead as Crossword Puzzle (Specials), S2611-2641, S2643, S2727-2746, S3976-3986. | |||
310 | Imprint Bold (aka Imprint Heavy (No.1)) | Roman and Italic | 98 |
311 | Kaatskill | Roman. W/d in 1967 | |
312 | Baskerville Bold (aka Baskerville Heavy) | Roman and Italic | 332 |
313 | Baskerville Semi-bold (aka Baskerville Bold) | Roman and Italic | 332 |
a313 | Gallia (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
314 | Fridericus Antiqua | Roman and Italic | 301 |
315 | Hutten Fraktur | Fraktur. W/d in 1964 | |
316 | Perpetua (No.3) | Roman. W/d in 1967 | 96 |
317 | Gill Sans Bold Titling | Roman | |
318 | Grotesque Condensed (No.3) (aka Sans-serif Condensed) | Roman | 388:(5D-6pt) 300:(6D-13pt) |
319 | Acier Grey and White | Not issued. W/d in 1965 | |
320 | Emerson | Roman and Italic 1936 by Joseph Blumenthal | 390 |
321 | Gill Sans Extra Bold (aka Gill Sans-Serif Extar Heavy) | Roman | 336 |
322 | Script Bold (aka Script) | Script | |
323 | Falstaff | Roman and Italic 1931 based on 19c type | 347 |
324 | Albertus Titling | Roman | |
325 | Tonic Sol-Fa | ||
326 | Daily Mail Modern | W/d in 1974 | |
327 | Times New Roman | Roman and Italic. 1932, by Stanley Morison | 325:(4¼-14pt) 426:(16-18pt) |
327 | Times New Roman | Cyrillic | |
328 | Times Bold Titling (No.2) (aka The Times Heavy Titling) | Roman | 331 |
329 | Times Titling | Roman | 328 |
330 | Egyptian Bold (aka Egyptian) | Roman. W/d in 1967 | 3 |
331 | Zethmeyer Fraktur | Fraktur. W/d in 1964 | |
332 | Times Bold Titling | Roman | |
333 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | 329 |
334 | Times Bold (aka Bold (The Times)) | Roman and Italic | 324:(roman 5½-14pt) 325:(italic 5½-14pt) |
334 | Times Bold | Cyrillic | |
335 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | 330 |
336 | Missal | ||
337 | Heavy Small Caps | (for Imprimerie Nationale). W/d in 1974 | |
338 | Gill Sans Shadow (No.3) (aka Gill Sans-Serif Two Colour) | Roman | |
339 | Times Extended Titling | Roman | 327 |
340 | Tamil Bold (aka Tamil Heavy) | Tamil | |
341 | Bell | Roman and Italic | 314 |
1932, based on Richard Austin's 1788 type for Bell | |||
342 | Ionic (No.2) | Roman and Italic | 317 |
343 | Gill Sans Bold Condensed (aka Gill Sans-serif Bold Condensed or Gill Bold Condensed Sans-Serif) | Roman | 316 |
344 | Typewriter (No.8) | (Imperial). W/d in 1967 | 28 |
345 | Times Bold (aka Bold (The Times)) | Roman | 326 |
346 | Devanagari Bold | Devenagari | |
347 | Mardersteig | W/d in 1967 | |
348 | Leysbourne | Roman. W/d in 1965 | 359 |
349 | Gill Sans (No.2) (aka Gill Sans-serif) | Roman and Italic | 345 |
350 | Gill Sans Bold (No.2) | Roman | 346 |
351 | Monoline Script (aka Script Monoline) | Script | |
352 | Centaur | Roman and Italic | 389:(roman 18pt) 166:(italic 18pt) |
353 | Gill Sans Poster (aka Gill Sans-Serif) | Roman | |
354 | Antique (No.2) | Roman. W/d in 1967 | 335 |
355 | Times Hever Titling | Roman | 323 |
356 | Old English Text | Fraktur. W/d in 1967 | 318 |
357 | Bodoni (No.2) (aka Bodoni Book) | Roman and Italic | 319 |
358 | Times Titling | W/d in 1967 | |
359 | Rockwell Bold Condensed (aka Rockwell Heavy Condensed) | Roman | 411 |
360 | Times Bold (No.3) (aka Bold (The Times)) | Roman | 324 |
361 | Gloucester Bold Titling | W/d in 1967 | |
362 | Gill Sans Light (aka Gill Sans-Serif Light) | Roman and Italic | 82:(roman) 311:(italic) |
362 | Gill Sans Light | Cyrillic | |
363 | Enge Fraktur Halbfette | Fraktur. W/d in 1967 | |
364 | Goudy Catalogue (No.2) | Roman and Italic | 1:(5-6pt) 419:(7¾pt) |
365 | Grotesque Bold Condensed (aka Heavy Narrow Gothic) | Roman. W/d in 1967 | 333 |
366 | Inflex Bold (aka Bold Face) | Roman | 344 |
367 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |
368 | Solus Bold (aka Solus Heavy) | Roman. W/d in 1967 | 320 |
369 | Jocunda | W/d in 1967 | |
370 | Bembo Titling (aka Aldine Bembo Titling) | Roman and Italic | |
370 | Bembo Titling | Cyrillic | |
371 | Rockwell | Roman and Italic | 338 |
1934, from an American design of an Egyptian letter | |||
372 | Goudy Catalogue 2 line Caps | W/d in 1965 | |
373 | Gill Sans Bold Condensed Titling (No.1) (aka Gill Sans-Serif Extra Bold Titling or Gill Extra Bold Condensed Sans-Serif Titling) | Roman | |
373 | Gill Sans Bold Condensed Titling | Cyrillic | |
374 | Walbaum | Roman and Italic. 1934, based on J.E.Walbaum, re-cut by Berthold | 349:(6D-11D) 350:(8D) 351:(14pt) 352:(14D) 353:(16D) |
375 | Walbaum Medium | Roman and Italic | 355:(roman 6D-12D) 356:(roman 14D) 392:(italic 8D-14D) 357:(roman 16D) 393:(italic 16D) |
376 | Baskerville Bold Titling (for Newspaper Headings) | Roman. W/d in 1965 | 374 |
377 | Baskerville Bold Large Face | W/d in 1967 | |
378 | Baskerville Bold Titling (for Newspaper Headings) | Roman. W/d in 1965 | 372 |
379 | Essener Fraktur Fette | Fraktur. W/d in 1967 | |
380 | Baskerville Extra Bold Titling | W/d in 1967 | |
381 | Baskerville Titling (for Newspaper Headings) | Roman. W/d in 1965 | 372 |
382 | Musical Signs | ||
383 | Grotesque Condensed (No.4) (aka Condensed Heavy Grotesque or Grotesque Condensed Heavy) | Roman | 341 |
383 | Grotesque Condensed | Cyrillic | |
384 | Hessen Fraktur | Fraktur. W/d in 1964 | |
385 | Wenceslas Script (aka Script or Script: Wenceslas) | Script. W/d in 1967 | |
386 | Perpetua (No.2) | Roman and Italic W/d in 1967 | 96 |
387 | Blücher Fraktur Fette | Fraktur. W/d in 1967 | |
388 | Grock | Roman | |
389 | Grotesque Light (aka Grotesque No.2) | Roman. W/d in 1967 | 2 |
390 | Rockwell Light | Roman and Italic | 338 |
391 | Rockwell Bold (aka Rockwell Heavy) | Roman and Italic | 340 |
392 | Theuerdank Fraktur | Fraktur. W/d in 1964 | |
393 | Missal | Roman | 462:(13½pt) 463:(15pt) |
394 | Poltawski | Roman | 156 |
a394 | Goudy Old Style (Lanston Monotype) | Roman and Italic Loan Library omitted after 1958 | |
395 | Gloucester Bold Extra Condensed | Roman | |
a395 | Cloister Old Style (Sorts) | Roman and Italic W/d before 1966 | |
396 | Gloucester Extra Condensed (aka Gloucester Old Style Extra Condensed) | Roman | |
397 | Menhart | Roman and Italic | 378 |
398 | Poltawski Bold | Roman | 365 |
399 | Felix Titling | Roman | |
400 | Emerson | W/d in 1967 | |
401 | Leibniz Fraktur | Fraktur. W/d in 1967 | |
402 | Nastaliq | Cancelled | |
403 | Fontana | Roman and Italic. 1936 by Giovanni Mardesteig, based on Wilson 1760 | 464:(8-14pt) 488:(roman 18-24pt) 464:(italic 18pt) |
404 | Porson Condensed | Greek. W/d in 1967 | |
405 | Grotesque Light Condensed (aka Narrow Grotesque or Grotesque Narrow) | Roman. W/d in 1967 | 414 |
406 | Gill Sans Shadow (No.1) (aka Gill Sans-serif Shadow No.1) | Roman | |
407 | Antique (No.4) | Roman and Italic W/d in 1965 | 70 |
408 | Gill Sans Shadow (No.2) (aka Gill Sans-serif Shadow No.2) | Roman | |
409 | Arabic (for Egyptian Government) | Cancelled, replaced by series 549 in 1946 | |
410 | Imprint Bold (No.2) (aka Imprint Heavy) | Roman and Italic | 348:(roman) 76:(italic) |
411 | Pierre Didot | Roman and Italic W/d in 1965 | 375 |
412 | Clarendon (No.2) | Roman. W/d in 1967 | 2 |
413 | Breitkopf Fraktur Halbfette | Fraktur | |
414 | Rockwell Condensed | Roman | |
415 | Arabic Display | Cancelled in 1950 | |
416 | Ionic (No.5) | Roman and Italic W/d in 1967 | 1 |
417 | Hessen Fraktur Halbfette | Fraktur. W/d in 1964 | |
418 | Mainzer Fraktur | Fraktur. W/d in 1967 | |
419 | Latin Condensed (aka Condensed Latin) | Roman | |
420 | Runic Condensed | Roman | |
421 | Times New Roman Semi-Bold | Roman and Italic | 325 |
422 | Modern (No.7) | Roman and Italic W/d in 1965 | 376 |
423 | Jean Paul Fraktur | Fraktur. W/d in 1967 | |
424 | Rockwell Extra Bold (aka Rockwell Extra Heavy) | Roman | 162 |
425 | Divina Comedia | Destroyed | |
426 | Telugu | W/d in 1969 | |
427 | Times New Roman Wide | Roman and Italic | 325:(7-14pt) 426:(22pt) |
428 | Bembo Bold (aka Bembo Heavy or Aldine Bembo Bold) | Roman and Italic | 368:(6-14pt) 399:(large 14-18pt) |
429 | Palace Script | Script | |
430 | Gill Face | Destroyed | |
431 | Floriated Capitals | Roman. 1936 | |
432 | Mainzer Fraktur Halbfette | Fraktur. W/d in 1964 | |
433 | Gill Moiree Shadow | Destroyed | |
434 | Shadow French | Withdrawn | |
435 | Heavy Shadow French | Withdrawn | |
436 | Dorchester Script (aka Script: Dorchester) | Script | |
437 | Fontana Bible Face | Roman and Italic | 464 |
438 | Plantin Titling | Roman | |
439 | Goudy Titling | Roman | 377 |
440 | Titling | Roman. W/d in 1965 | 413 |
441 | Goudy Bold (No.2) | Roman and Italic | 382 |
442 | Gill Sans Ultra Bold (aka Gill Sans-serif Ultra Bold or Gill Ultra Bold) | Roman | |
443 | Fontana Titling | Destroyed | |
444 | Modern | Cancelled 1936 | |
445 | Tempest | W/d in 1973 | |
446 | Breitkopf Fraktur Fette | Fraktur. W/d in 1972 | |
447 | Modern Extended No.3 | Roman. W/d in 1965 | 1 |
448 | Missal Face No.3 | ||
449 | Alte Fraktur Fette (aka Halbfette Alte Monotype Fraktur) | Fraktur. W/d in 1964 | |
450 | Laudian Old Style | Roman and Italic | 1 |
451 | Ionic | Roman and Italic W/d in 1967 | 380 |
452 | Emery | W/d in 1965 | |
453 | Ehrhardt | Roman and Italic | 397 |
1937, based on Ehrhardt late 17c, possibly cut by Nicholas Kis | |||
453 | Pitman's i.t.a. | (Ehrhardt plus Series L211 and sorts) | |
454 | Laudian Old Style | Destroyed | |
455 | Temple Script (aka Script: Temple) | Script | 386 |
456 | Old English Text (No.2) (aka Old English Text Light) | Fraktur | 318 |
457 | Sachsenwald-Gotisch | Fraktur. W/d in 1967 | |
458 | Romulus | Roman and Italic. 1936 by Jan van Krimpen. Cut by Enschedé 1931 | 405:(8D-14D) 406:(16D-20D) |
459 | Missal Face No.4 | ||
460 | Gujerathi | Gujerathi | |
461 | Perpetua Bold | Roman and Italic | 379 |
462 | Indicateur | Roman and Italic W/d in 1967 | 394 |
463 | Rundgotisch | Fraktur. W/d in 1972 | |
464 | Egyptian Condensed (No.4) | Roman. W/d in 1967 | 130 |
465 | Egyptian Extended | Destroyed | |
466 | Roman for series 367 | Cancelled 1936 | |
467 | Breitkopf Fraktur | Fraktur. W/d in 1967 | |
468 | Gill Sans Bold Extra Condensed (aka Gill Sans-serif Bold Extra Condensed) | Roman | |
469 | Bulmer | Roman and Italic | 412 |
1936, based on William Martin 1790 for Bulmer | |||
470 | Bengali | Bengali | |
471 | Modern (No.8) | Roman. W/d in 1967 | 1 |
472 | Greek: Inclined | Greek | 434 |
473 | Greek | Greek. W/d in 1967 | |
474 | Times New Roman Heavy Book | Destroyed | |
475 | Script Light (aka Light Script) | Script | |
476 | Ionic | Destroyed | |
477 | Century Schoolbook Bold | Roman | 498 |
478 | Joanna | Roman and Italic | 449 |
1937 by Eric Gill. Trade release 1958. Based on Hague & Gill's 1930 type cut by H.W.Caslon | |||
479 | Emerson | Destroyed | |
480 | Perpetua Light Titling (aka Perpetua Titling Light Face) | Roman | |
481 | Albertus | Roman. 1932 by Berthold Wolpe | |
482 | Uhlen Con Bold Fraktur (aka Ullstein Fraktur Fette Enge) | Fraktur. W/d in 1973 | |
483 | Uhlen Rundgotisch | Fraktur. W/d in 1972 | |
484 | Gustavus Bold | W/d in 1965 | |
485 | Gill Sans Condensed (aka Gill Sans-Serif Medium Condensed | Roman | 499 |
485 | Gill Sans Condensed | Cyrillic | |
486 | Sans-Serif (aka Heavy Greek) | Greek | 415 |
487 | Gill | Hebrew. W/d in 1967 | |
488 | Mayer Pointed | Hebrew | |
489 | Peninim | Hebrew | |
490 | Lamp | Cancelled | |
491 | Anchor | Cancelled | |
492 | Mayer | Hebrew | |
493 | Grosvenor Script (aka Script: Grosvenor) | Script | |
494 | Bruce Rogers | In abeyance 1967 | |
495 | B.O.A.C. | No record | |
496 | Matura | Script. 1938 by Imre Reiner | |
497 | Gustavus Light | W/d in 1965 | |
498 | Enschedé Fraktur | Fraktur. W/d in 1967 | |
499 | Sachsenwald Mager | W/d in 1965 | |
500 | Modern Timetable | W/d in 1967 | |
501 | Clarendon Timetable | W/d in 1967 | |
502 | Grotesque Timetable | W/d in 1967 | |
503 | Bold Face (aka Inflex Timetable) | W/d in 1965 | |
504 | Bodoni (No.5) | Roman and Italic | 319 |
505 | Placard Light Extra Condensed | Roman | 387 |
506 | Placard Bold Condensed (No.1) | Roman | 387 |
506 | Placard Bold Condensed | Cyrillic | |
507 | Urdu | Urdu | |
508 | Pegasus | Roman. 1937 | |
509 | Bembo Semi-Bold | Roman and Italic | 91 |
510 | Chatsworth | Roman. W/d 1965 | 391 |
511 | Condensa | Italic | |
512 | Dürer Fraktur Halbfette | Fraktur. W/d in 1965 | |
513 | Dürer Fraktur Fette | Fraktur. W/d in 1965 | |
514 | Fanfare Bold Con. It. Titling | Italic. Destroyed | |
515 | Placard Bold Condensed (No.2) | Roman | |
515 | Placard Bold Condensed | Cyrillic | |
516 | Fanfare Bold Con. It. Titling No.2 | Italic | |
517 | L.P.T.B. Titling | W/d in 1965 | |
518 | Gujerathi Bold | Gujerathi | |
519 | Propylaen Fraktur | Fraktur. W/d in 1964 | |
520 | Romulus Bold (aka Van Krimpen Bold) | Roman and Italic | 404 |
521 | Berliner Fraktur | Fraktur. W/d in 1965 | |
522 | Placard Condensed Titling (aka Light Placard Titling) | Roman | |
522 | Placard Condensed Titling | Cyrillic | |
523 | Grotesque Condensed Titling (No.4) | Roman | |
524 | Grotesque Bold Titling (No.1) | Roman | |
525 | Gill Sans Bold Condensed Titling (No.2) | Roman | |
526 | Gill Sans Extra Bold Titling | Roman | |
527 | Grotesque Bold Condensed Titling (No.4) | Roman | |
528 | Matura Scriptorial Capitals | ||
529 | Bodoni Bold Condensed (aka Bodoni Heavy Condensed) | Roman and Italic | |
529 | Bodoni Bold Condensed | Cyrillic | |
530 | Uhlen Rund Gotisch Caps | W/d in 1965 | |
531 | Haarlemmer | Roman and Italic W/d in 1967 | 408 |
532 | Prayer Book Face (for O.U.P.) | Cancelled | |
533 | Gravura | Roman. W/d in 1965 | 1 |
534 | Albertus Light | Roman | |
535 | L.M.M.Co. series 237 | Cancelled 1945 | |
536 | Figaro | Roman | |
537 | Morrison Face | W/d in 1974 | |
538 | Albertus Bold Titling | Roman | |
539 | Georgian Light | Georgian | |
540 | Georgian Bold | Georgian | |
541 | same as series 364 | Cancelled 1941 | |
542 | Arabic Bold | Destroyed | |
543 | Perpetua Titling | W/d in 1967 | |
544 | Old Style Bold (No.5) | Roman | 2 |
545 | Century Bold | W/d in 1967 | |
546 | Century Bold Extended | W/d in 1967 | |
547 | Hebrew Schocken No.1 | Hebrew. W/d in 1974 | |
548 | Lectern Missal | Roman | 472 |
549 | Arabic Naskh | Arabic | |
550 | Hebrew Schocken No.2 | Hebrew. W/d in 1967 | |
551 | Hebrew Schocken No.3 | Hebrew. W/d in 1967 | |
552 | Sheldon | (for O.U.P.) | |
553 | Old Style Bold Inclined | Greek | 436 |
554 | Festival Titling | ||
555 | Angelus | Roman and Italic | 474 |
556 | Spectrum | Roman and Italic | 428 |
1955 by Jan van Krimpen. Originally cut by Enschedé 1952 | |||
557 | Sinhalese | Sinhalese | |
558 | Burmese Light | Burmese | |
559 | Arabic Solloss | Arabic | |
561 | Perpetua Semi-Bold | W/d in 1963 | |
562 | Ionic Two-line | Roman | |
563 | Ehrhardt | W/d in 1974 | |
564 | Syriac 'Estrangelo' | Syrian | |
565 | Times Upright | Greek | 438 |
566 | Times Inclined | Greek | 437, 438 |
567 | Times Bold Upright | Greek | 438, 439 |
568 | Placard Condensed (aka Placard Medium Condensed) | Roman. 1937, based on a German face | 387 |
568 | Placard Condensed | Cyrillic | |
569 | Times Four-line Mathematics | ||
570 | Modern Bold | Roman | 2 |
571 | Gill Sans Inclined | Greek | 450 |
572 | Gill Sans Upright | Greek | 451 |
573 | Ehrhardt Semi-Bold | Roman and Italic | 430 |
573 | Pitman's i.t.a. | (Ehrhardt plus Series L219 and sorts) | |
574 | Ashley Script | Script. 1955 by Ashley Havinden | |
575 | Gill Sans Bold | Roman. W/d in 1967 | |
577 | Thai | Thai | |
578 | Burmese Bold | Burmese | |
579 | Jacno | Experimental | |
580 | Tamil Medium | Tamil | |
581 | Tamil Bold | Tamil. Cancelled | |
582 | Rockwell Light Condensed | Film Sub-Titles | 338 |
583 | Swing Bold | Script | |
584 | Mercurius Bold Script | Script. 1958 by Imre Reiner | |
585 | Gill Sans Condensed | Greek | |
586 | Fabritius | Roman | 497 |
587 | Georgian | Georgian | |
588 | Kannada | Kannada. 1962 | |
589 | Arabic Naskh Accented | Arabic | |
590 | Malayalam | Malayalam | |
591 | Onyx | Roman | |
592 | Dante | Roman and Italic | 441 |
1959 by Giovanni Mardesteig, cut by Malin 1954 | |||
593 | Klang | 1955 by Will Carter | |
594 | Research for Bruce Rogers Titling | ||
595 | Headline Bold | Roman and Italic | 443 |
1956, based on Stephenson Blake's Grotesque No.9 | |||
596 | Futura Buchschrift | Suspended 1960 | |
597 | Old Bulgarian | Old Bulgarian | |
598 | Glagolitic | Glagolitic | |
599 | Amharic | Amharic | |
600 | Castellar | Roman. 1957 by John Peters | |
601 | Gurmukhi Bold | Gurmukhi | |
602 | Typewriter IBM "Executive'' | Roman | 442 |
603 | Octavian | Roman and Italic | 485 |
1964 by Will Carter & David Kindersley | |||
604 | Gurmukhi (aka Gurmukhi Light) | Gurmukhi | |
605 | Placard Light Extra Condensed | Greek | |
606 | New Face (for Frankfurt) | Suspended in 1964 | |
607 | New Face Bold (for Frankfurt) | Suspended in 1964 | |
608 | Thai Light | Thai | |
609 | Louvain Coptic | Coptic | |
610 | New Emerald Bible | (for O.U.P.) | |
611 | Thai Bold | Thai | |
612 | Dante Titling | Roman | |
613 | Pepita | Script. 1959 by Imre Reiner | |
614 | Forte | Script | |
615 | New Grotesque | W/d in 1974, apart from ''A'' | |
616 | New Grotesque Bold | W/d in 1974, apart from ''A'' | |
617 | New Clarendon | Roman and Italic. 1960, based on 19c Clarendon | 481 |
618 | New Clarendon Bold | Roman | 482 |
619 | Bell Gothic | Roman | 445 |
620 | Bell Gothic Bold | Roman | 445 |
621 | Thai Medium | Thai | |
624 | Amharic | Amharic | |
625 | Gill Sans Bold Upright | Greek | 452 |
626 | Telugu Medium | Telugu | |
627 | Times New Roman Book | Roman and Italic | 325:(7½pt-14D) 426:(24pt) |
628 | Thai Light Italic | Thai | |
629 | Traveller | Roman | |
632 | Fleet Titling | Roman. 1967 | |
633 | Chinese | W/d in 1974 | |
636 | Figaro Bold | Cancelled in 1967 | |
638 | Armenian | Armenian | |
639 | Times Cosmoli Titling | W/d in 1966 | |
643 | Berling | Roman and Italic. W/d in 1973 | 495 |
644 | Berling Semi-Bold | Roman. W/d in 1973 | 496 |
646 | Janson | W/d in 1972 | |
649 | Arabic Naskh Bold | Arabic | |
650 | Century Schoolbook | Roman and Italic | |
651 | Century Schoolbook Bold | Roman | |
652 | Opus | Cancelled in 1966 | |
657 | Sinhalese Bold | Sinhalese | |
660 | Malayalam | Malayalam | |
662 | Gill Sans Light (No.2) | Roman | 345 |
663 | Plantin Semi-Bold | Roman and Italic | 5:(roman) 3:(italic) |
666 | New Grotesque Light | W/d in 1967, apart from 'A' | |
667 | Times Bold Inclined | Greek | 437, 438 |
668 | Placard Condensed Upright | Greek | |
669 | Sabon | Roman and Italic. 1968 by Jan Tschichold | 503 |
670 | Bengali Bold | Cancelled in 1967 | |
672 | Gill Sans Light Upright | Greek | 451 |
673 | Sabon Semi-Bold | Roman | 503 |
674 | Walbaum | Roman and Italic | 349 |
680 | Grotesque Bold | Roman | 502 |
682 | Dante Semi-Bold | Roman and Italic | 504 |
683 | Grotesque Condensed Upright | Greek | |
684 | Univers Extra Light Extra Condensed | Roman | |
685 | Univers Light | Roman and Italic | 483 |
686 | Univers Light Condensed | Roman and Italic | 492 |
687 | Univers Light Extra Condensed | Roman | 501 |
688 | Univers Medium Expanded | Roman | 491 |
689 | Univers Medium | Roman and Italic | 483 |
1961 by Adrian Frutiger, originally for Deberny & Peignot 1957 | |||
690 | Univers Medium Condensed | Roman and Italic | 493 |
691 | Univers Medium Extra Condensed | Roman | 500 |
692 | Univers Bold Expanded | Roman | 491 |
693 | Univers Bold | Roman and Italic | 486 |
694 | Univers Bold Condensed | Roman and Italic | 494 |
695 | Univers Extra Bold Expanded | Roman | 490 |
696 | Univers Extra Bold | Roman and Italic | 484 |
697 | Univers Ultra Bold Expanded | Roman | 490 |
698 | Sinhalese Italic | Sinhalese | |
699 | Sinhalese Bold Italic | Sinhalese | |
700 | Bengali | Bengali | |
701 | Bengali Bold | Bengali | |
704 | Gujerathi | Gujerathi | |
706 | Oriya | Oriya | |
707 | Urdu Bold | Urdu | |
708 | Tamil Medium | Tamil | |
718 | Grotesque Condensed Upright | Greek | |
721 | Farsi | Arabic | |
726 | Telugu Bold | Telugu | |
727 | Times New Roman (Light Caps) | Roman | 325 |
739 | Spartan Light Upright | Greek | 454 |
740 | Spartan Upright | Greek | 454 |
741 | Spartan Bold Upright | Greek | 454 |
742 | Vijapure Devanagari | Devenagari. 1972 | |
743 | Vijapure Devanagari Bold | Devenagari. 1972 | |
755 | Devanagari Italic | Devenagari | |
756 | Spectrum Semi-Bold | Roman | 509 |
760 | Bodoni Bold Titling | Roman | |
764 | Helvetica Light | Roman and Italic | 510 |
765 | Helvetica | Roman and Italic | 508 |
766 | Helvetica Medium | Roman and Italic | 508 |
773 | Plantin Light | Roman and Italic | 4 |
787 | Kannada Semi-Bold | Kannada | |
788 | Kannada Bold | Kannada | |
827 | Times New Roman (French) | Roman and Italic | 325 |
885 | Greek (Special) | Greek | |
889 | Univers Medium Upright | Greek | 506 |
893 | Univers Bold Upright | Greek | 507 |
897 | Greek (Special) | Greek | |
923 | Hungry Dutch | Roman. 2019 | |
989 | Univers Medium Inclined | Greek | 506 |
A6 | Gothic (Special) | Roman caps | |
B6 | Antique Latin (Special) | ||
C | Bold Face (Special) | ||
G | Albion No.3 | ||
H | Titling (Caps) | Roman | 33:(11pt) 34:(12pt) |
J | Grotesque (Special) | Roman caps | |
L2 | Gothic Bold (Special) | Roman caps | |
L3 | Gothic (Special) | Roman caps | |
L4 | Gothic Condensed (Special) | Roman caps | |
L5 | Gothic (Special) | Roman caps | |
L8 | Gill Sans Bold Timetable | Roman | |
L11 | Antique Extended No.2 | ||
L15 | Small capitals | Italic (match 7) | |
L17 | Calendar Figures | Roman | |
L19 | Calendar Days | Roman. (match 103) | |
L26 | Shortened descenders | Roman (match 8) | |
L29 | Greek inclined superiors | Greek (based on 472) | |
L30 | Greek inclined inferiors | Greek (based on 472) | |
L42 | Greek inclined superiors | Greek (based on 472) | |
L43 | Greek inclined inferiors | Greek (based on 472) | |
L44 | Superiors | Roman (match 128) | |
L45 | Superiors | Italic (match 128) | |
L46 | Superiors | Roman (Old Style) | |
L59 | Superiors | Roman (based on 18 and align with F60) | |
L60 | Inferiors | Roman (based on 18 and align with F61) | |
L67 | Superiors | Roman (based on 16 and align with F60) | |
L68 | Inferiors | Roman (based on 16 and align with F61) | |
L69 | Kerned capitals | Italic (match 7) | |
L70 | Kerned capitals | Italic (match 169) | |
L76 | Superiors | Roman (match 185) | |
L78 | Superiors | Roman (match 262) | |
L79 | Superiors | Roman (match 275) | |
L80 | Superiors | Roman (match 362) | |
L81 | Superiors | Roman (match 371) | |
L83 | Capitals | Roman (9 units, match 262) | |
L84 | Superiors | Roman (match 194) | |
L87 | Superiors | Roman and Italic (match 1) | |
L88 | Inferiors | Roman and Italic (match 1) | |
L89 | Capitals and figures for race cards | Roman (10 on 8pt, match 73) | |
L90 | Superiors | Roman and Italic | |
L91 | Inferiors | Roman and Italic | |
L99 | Superiors | Roman (match 270) | |
L104 | Superiors | Roman (match 127) | |
L105 | Superiors | Roman (match 390) | |
L106 | Superiors | Roman (match 391) | |
L107 | Superiors | Roman (match 374) | |
L109 | Capitals with joining overscore | Roman (match 169) | |
L110 | Superiors | Roman (match 42 | |
L112 | Superiors | Roman (match 16) | |
L113 | Superiors | Roman (match 126) | |
L114 | Kerned capitals | Italic (match 101) | |
L115 | Superiors | Roman (match 51) | |
L117 | Gill Sans Bold Timetable | Roman | |
L119 | 3-line encircled capitals | Roman (match 262) | |
L120 | Superiors | Roman (match 215) | |
L122 | Superiors | Roman (match 216) | |
L124 | Superiors | Roman (match 441) | |
L125 | Superiors | Roman (match 383) | |
L126 | Superiors | Script (match 455) | |
L128 | Superiors | Roman (match 436) | |
L129 | Capitals for race cards | Roman (10 on 8pt, match 321) | |
L133 | Cameo capitals in rectangles | Roman (match L175) | |
L134 | Inferiors | Roman (match 185) | |
L138 | Superiors | Roman (match 33) | |
L146 | Superiors | Roman (match 318) | |
L148 | Superiors | Roman (match 235) | |
L153 | Superiors | Roman (match 453) | |
L154 | Superiors | Roman (match 274) | |
L156 | Superiors | Roman (match 428) | |
L157 | Superiors | Roman (match 261) | |
L161 | Superiors | Roman (match 139) | |
L162 | Cameo circled capitals | Roman | |
L166 | Letters in rounded corner rectangles | Roman | |
L167 | Letters with joining overscore | Italic (match 65) | |
L169 | Superiors | Roman (match 140) | |
L170 | Superiors | Roman (match 141) | |
L171 | Superiors | Roman (match 142) | |
L172 | Superiors | Roman (match 145) | |
L174 | Superiors | Roman (match 573) | |
L175 | Capitals in rectangles | Roman (match L133) | |
L176 | Greek inclined superiors | Greek (based on 106, match L59) | |
L177 | Greek inclined inferiors | Greek (based on 106, match L60) | |
L178 | Superiors | Roman (match 301) | |
L179 | Small capitals | Italic (match 327) | |
L180 | Superiors | Roman (match 231) | |
L182 | Inferiors | Roman (match 262) | |
L184 | Capitals in squares | Roman | |
L185 | Laterally-reversed characters | Roman (match 215) | |
L186 | Laterally-reversed characters | Roman (match 318) | |
L187 | Superiors | Cyrillic (match L87) | |
L188 | Inferiors | Cyrillic (match L88) | |
L189 | Superiors | Roman (match 592) | |
L192 | Bold superiors | Roman (match L87) | |
L193 | Bold inferiors | Roman (match L88) | |
L194 | Greek upright superiors | Greek (match L87) | |
L195 | Greek inclined superiors | Greek (match L88) | |
L196 | Greek upright inferiors | Greek (match L87) | |
L197 | Greek inclined inferiors | Greek (match L88) | |
L198 | Cameo squared capitals | Roman | |
L202 | Inferiors | Roman (match 270) | |
L205 | Superiors | Roman (match 72) | |
L206 | Gill small capitals | Roman c.1960 | |
L209 | Superiors for mathematics | Roman (match 342) | |
L210 | Inferiors for mathematics | Roman (match 342) | |
L211 | Pitman's i.t.a. majuscules | Roman (match 453) | |
L219 | Pitman's i.t.a. majuscules | Roman (match 573) | |
L221 | Capitals in scalloped corner rectangles | Roman | |
L222 | Superiors | Roman (match 689) | |
L223 | Superiors | Roman (match 696) | |
L224 | Superiors | Roman (match 685) | |
L225 | Superiors | Roman (match 693) | |
L227 | Capitals in circles | Roman | |
L228 | Superiors | Roman (match 252) | |
L230 | Superiors | Roman (match 150) | |
L231 | Extraneous sorts | Roman (match 569) | |
L232 | Greek upright superiors for mathematics | Greek (match L209) | |
L233 | Greek upright inferiors for mathematics | Greek (match L210) | |
L234 | Greek inclined superiors for mathematics | Greek (match L209) | |
L235 | Greek inclined inferiors for mathematics | Greek (match L210) | |
L236 | Superiors | Roman and Italic (match 327) | |
L237 | Inferiors | Roman and Italic (match 327) | |
L238 | Greek upright superiors | Greek (match 565) | |
L239 | Greek upright inferiors | Greek (match 565) | |
L240 | Greek inclined superiors | Greek (match 566) | |
L241 | Greek inclined inferiors | Greek (match 566) | |
L244 | Inferiors | Roman (match 275) | |
L247 | Superiors | Roman (match 12) | |
L248 | 2-line encircled capitals | Roman (match 262) | |
L250 | Superiors | Roman (match 686) | |
L251 | Superiors | Roman (match 690) | |
L252 | Superiors | Roman (match 694) | |
L253 | Modern Extended | Roman (7-11pt centred on 24pt) | |
L254 | Inferiors | Roman (match 689) | |
L255 | Inferiors | Roman (match 696) | |
L256 | Superiors | Roman (for 334 and match L236) | |
L257 | Superiors | Roman (match 349) | |
L258 | Superiors | Roman (match 350) | |
L261 | Superiors | Roman (match 617) | |
L263 | Superiors | Roman (match 105) | |
L264 | Inferiors | Roman (for 334 and match L237) | |
L265 | Superiors | Roman (match 366) | |
L266 | Superiors | Roman (match 688) | |
L267 | Superiors | Roman (match 695) | |
L268 | Superiors | Roman (match 692) | |
L269 | Superiors | Roman (match 697) | |
L270 | Horizontal Cancellations | Roman (match 327) | 325 |
L271 | Superiors | Roman (match 312, 313) | |
L272 | Inferiors | Roman (match 312, 313) | |
L273 | Cameo circled capitals | Roman | |
L274 | Inferiors | Roman (match 42) | |
L275 | Superiors | Roman (match 227) | |
L276 | Inferiors | Roman (match 215) | |
L278 | Superiors | Roman (match 595) | |
L279 | Inferiors | Roman (match 126) | |
L280 | Superiors | Roman (match 602) | |
L287 | Superiors | Roman (match 618) | |
L289 | Electronic reading fount | CMC7 | |
L290 | Inferiors | Roman (match 453) | |
L292 | Superiors | Roman (match 687) | |
L293 | Superiors | Roman (match 691) | |
L294 | Superiors | Roman (match 341) | |
L295 | Inferiors | Roman (match 685) | |
L305 | Open sanserif characters | Roman (for 327 and match 569) | |
L306 | Greek (title uncertain) | ||
L310 | Times New Roman | Roman (327-10pt for Devanagari 155-12pt) | |
L311 | Underscore | Roman (match 318) | |
L312 | Greek small capitals | Greek (match 90) | |
L318 | Greek upright superiors | Greek (for 334 and match L236) | |
L320 | Capitals in circles | Roman (696 design) | |
L321 | Small capitals | Roman (match 428) | |
L322 | Capitals in squares | Roman (262 design) | |
L324 | Superiors | Roman (match 582) | |
L327 | Small capitals | Italic (match 453) | |
L332 | Greek upright inferiors | Greek (for 334 and match L237) | |
L337 | Open characters | Roman (for 327 and match L231) | |
L343 | OCR-B | OCR. 1968 | |
L346 | Inferiors | Roman (match 686) | |
L351 | Open characters | Roman (match 262) | |
L359 | Open sanserif characters | Roman (match 7) | |
L365 | Inferiors | Roman (match 690) | |
L368 | Superiors | Script (for 327 and match L236) | |
L369 | Inferiors | Script (for 327 and match L237) | |
L371 | Capitals in circles | Italic (169 design) | |
L372 | Superiors | Fraktur (for 327 and match L236) | |
L373 | Inferiors | Fraktur (for 327 and match L237) | |
L374 | Open characters | Roman (match 689) | |
L378 | Open characters | Roman (match 275) | |
L386 | Superiors | Roman (match 765) | |
L396 | Greek small capitals | Greek (match 565) | |
L397 | Superiors | Roman (match 766) | |
L398 | Greek inclined inferiors | Greek (for 334 and match L237) | |
L401 | Capitals in circles | Roman (689 design) | |
L411 | Characters in squares | Roman (694 design) | |
L413 | Inferiors | Roman (match 216) | |
L432 | Cameo circled capitals | Roman (689 design) | |
L433 | Open characters | Roman (match 693) | |
M | Gothic | Roman | 38 |