| Series | Face | Comments | U.A. | ||
|---|---|---|---|---|---|
| 1 | Modern (No.1) | Roman and Italic | 1(6-12pt) 1a(14pt) | ||
| 1901, based on a Miller & Richards face | |||||
| 2 | Old Style (No.2) | Roman and Italic | 1(6-12pt) 1a(14pt) | ||
| 1901, based on a Miller & Richards face | |||||
| 3 | Antique Old Style (No.3) (aka Old Style Antique) | Roman and Italic 1902 | 2 | ||
| 4 | Grotesque Condensed (aka Gothic) | 1902 W/d in 1967 | 1b | ||
| 5 | Albion | Roman | 2 | ||
| 6 | Modern (No.4) (aka Ionic) | W/d in 1967 | 1 | ||
| 7 | Modern Extended (No.1) | Roman and Italic | 1 | ||
| 1902, slightly expanded version of Modern 1 | |||||
| 8 | Old Style Condensed | W/d in 1967 | 1 | ||
| 9 | Latin Antique (aka Antique Latin) | Roman | 2 | ||
| 10 | Ronaldson (aka Ronaldson Old Style) | Roman and Italic | 1 | ||
| 11 | Grotesque Bold Condensed (aka Grotesque) | 1908 W/d in 1967 | 2 | ||
| 11 | Grotesque Bold Condensed | Cyrillic. W/d in 1967 | |||
| 12 | Clarendon | Roman. 1903 | 2 | ||
| 13 | Modern Condensed (No.1) | Roman and Italic | 1 | ||
| 14 | Modern Condensed (No.2) | Roman and Italic | 1 | ||
| 15 | Grotesque Bold Condensed (No.2) (aka Sans-Serif or Sanserif) | Roman and Italic 1902 | 2(roman) 3(italic) | ||
| 16 | Modern Wide (No.1) | Roman and Italic | 1 | ||
| 17 | Cushing | W/d in 1967 | 1 | ||
| 17 | Cushing | Cyrillic. 1907 W/d in 1967 | |||
| 18 | Modern Wide (No.2) | Roman and Italic | 1 | ||
| 19 | Elzevir | Roman and Italic | 1 | ||
| 20 | Old Face (Special) | Roman and Italic. 1903 W/d in 1967 | 6 | ||
| 21 | De Vinne Condensed (aka De Vinne.) | W/d in 1967 | 2 | ||
| 22 | Schoeffer | Roman. W/d in 1964 | 2 | ||
| 23 | Iroquois Condensed | Roman. W/d in 1964 | 2 | ||
| 24 | Gaelic | Gaelic. 1903 | 23(6-12pt) 108(14-18pt) 109(24pt) | ||
| 25 | Modern Wide (No.3) | Roman and Italic | 1 | ||
| 26 | Modern Wide (No.4) | Roman and Italic | 1 | ||
| 27 | Neo Didot | Roman and Italic. 1904 | 1 | ||
| 27 | Neo Didot | Cyrillic | |||
| 28 | Wittenberger Fraktur | Fraktur. 1904 | |||
| 29 | Wittenberger Fraktur Halbfette | Fraktur | |||
| 30 | Modern Wide (No.5) | Roman and Italic | 1 | ||
| 31 | Armin Fraktur | Fraktur | |||
| 32 | Armin Fraktur Fette | Fraktur | |||
| 33 | Grotesque Condensed (No.2) (aka Grotesque) | Roman | 2(6-13½pt) 395(22pt) | ||
| 33 | Grotesque Condensed | Cyrillic | |||
| 34 | Armin Fraktur Halbfette | Fraktur. W/d in 1967 | |||
| 35 | Neue Schwabacher | Fraktur | |||
| 36 | Neue Schwabacher Halbfette | Fraktur | |||
| 37 | Bamberger Fraktur | Fraktur. W/d in 1967 | |||
| 38 | Fraktur | Fraktur. W/d in 1964 | |||
| 39 | Modern Condensed (No.3) | Roman and Italic | 1 | ||
| 39 | Modern Condensed | Cyrillic | |||
| 40 | Kasseler Fraktur | Fraktur | |||
| 41 | Kasseler Fraktur Halbfette | Fraktur | |||
| 42 | Albion (No.2) (aka Albion Half Fat) | Roman | 2 | ||
| 42 | Albion | Cyrillic | |||
| 43 | Scotch Roman (aka Old Face.) | W/d in 1967 | 1 | ||
| 44 | French Round Face | Roman and Italic | 1 | ||
| 44 | French Round Face | Cyrillic | |||
| 45 | Old Face Standard | 1906-7. W/d in 1967 | 1 | ||
| 46 | Scotch Roman (No.1) | Roman and Italic | 1 | ||
| (aka Old Face) | 1910, based on Richard Austin's face for Miller & Richards c1809 | ||||
| 47 | Regensburger Fraktur | Fraktur. W/d in 1967 | |||
| 48 | Bamberger Fraktur Halbfette | Fraktur. W/d in 1964 | |||
| 49 | Bamberger Fraktur Fette | Fraktur. W/d in 1967 | |||
| 50 | Old Style Condensed | W/d in 1967 | 1 | ||
| 5l | Grotesque | Roman. 1910 | 2(6-12pt) 124(14-18pt) 125(24pt) | ||
| 51 | Grotesque (No.2) | Cyrillic | |||
| 52 | Schurmann Antiqua Halbfette (aka Modern Mediaeval (Half-Fat)) | W/d in 1967 | 5 | ||
| 53 | Old Style Bold (No.1) (aka Bold Face) | Roman and Italic. 1911 | 3(roman 5½-12pt) 76(italic 6-12pt) 100(roman 14-18pt) 101(roman 24pt) | ||
| 54 | Modern Bold Italic (aka Italic Display) | Italic | 3 | ||
| 55 | Gloucester Bold Italic (No.2) (aka Old Style Italic Display) | W/d in 1967 | 3 | ||
| 56 | Kölner Fraktur | Fraktur. W/d in 1972 | |||
| 57 | Kölner Fraktur Halbfette | Fraktur. W/d in 1967 | |||
| 58 | Kölner Fraktur Fette | Fraktur. W/d in 1972 | |||
| 59 | Veronese | 1911. W/d in 1967 | 4(11-12pt) 106(roman 14-18pt) 128(italic 14-18pt) 107(roman 24pt) 129(italic 24pt) | ||
| 60 | Latin Antique (aka Antique Latin) | Roman | 2 | ||
| 61 | Solis Fraktur | Fraktur. W/d in 1967 | |||
| 62 | Solis Fraktur Fette | Fraktur. W/d in 1964 | |||
| 63 | Albion | Roman | 2 | ||
| 63 | Albion | Cyrillic | |||
| 64 | Moderne Fraktur | Fraktur | |||
| 65 | Neo Didot | Roman and Italic | 1 | ||
| 66 | Moderne Fraktur Fette | Fraktur | |||
| 67 | Old Style (aka Mediaeval Old Style) | W/d in 1967 | 1 | ||
| 68 | French Old Style | Roman and Italic | 1 | ||
| 68 | French Old Style | Cyrillic | |||
| 69 | French Old Style Bold (aka French Old Style (Half-Fat)) | Roman | 2 | ||
| 69 | French Old Style Bold | Cyrillic | |||
| 70 | Albion (No.4) | Roman | 2 | ||
| 70 | Albion | Cyrillic | |||
| 71 | Didot | Roman and Italic | 1 | ||
| 72 | Egyptian Extended | Roman | 3 | ||
| 73 | Grotesque Bold (No.3) (aka Gothic Extended) | Roman | 3 | ||
| 74 | Albion Extended (aka Antique Extended) | Roman | 3 | ||
| 75 | Modern Wide (No.6) | W/d in 1967 | 1 | ||
| 75 | Modern Wide | Cyrillic. W/d in 1967 | |||
| 76 | French Face Extended | W/d in 1967 | 1 | ||
| 77 | Modern Extended (No.2) | W/d in 1967 | 1 | ||
| 77 | Modern Extended | Cyrillic. W/d in 1967 | |||
| 78 | Latin Antique (aka Antique Latin) | Roman | 2 | ||
| 79 | Modern Condensed No.4 | W/d in 1965 | 1 | ||
| 80 | Modern (No.2) | W/d in 1967 | 1 | ||
| 81 | Grotesque Bold Condensed (aka Sans-Serif or Sanserif) | Roman | 2 | ||
| 82 | Typewriter (No.1) | Roman | 28 | ||
| 82 | Typewriter (No.1) | Roman Underlined | 28 | ||
| 83 | Wurzberger Fraktur | Fraktur. W/d in 1972 | |||
| 84 | Latin Antique (aka Antique Latin) | W/d in 1967. | 2 | ||
| 85 | Gaelic Display | Gaelic | 24(8-12pt) 110(14-18pt) 111(24pt) | ||
| 86 | Moderne Schwabacher | Fraktur. W/d in 1972 | |||
| 87 | Moderne Fraktur Halbfette | Fraktur. W/d in 1967 | |||
| 88 | Modern Mediaeval (aka Mediaeval Modern) | W/d in 1964 | 4 | ||
| 89 | Neudeutsche Fraktur aka Fraktur Antiqua) | W/d in 1967 | 1 | ||
| 90 | Greek: Upright (aka Upright Greek) | Greek. 1910 | 26 | ||
| 91 | Greek: Inclined (aka Inclined Greek) | Greek | 26 | ||
| 92 | Greek: Bold Upright (aka Greek Upright Display) | Greek | 27 | ||
| 93 | Moderne Schwabacher Halfbette | Fraktur. W/d in 1972 | |||
| 94 | Große Moderne Fraktur | Fraktur. W/d in 1967 | |||
| 95 | Modern (No.5) | W/d in 1967 | 1 | ||
| 96 | Gothic | Russian. W/d in 1965 | |||
| 97 | Grotesque Bold aka Wide Gothic) | W/d in 1967 | 2 | ||
| 97 | Grotesque Bold | Cyrillic. W/d in 1967 | |||
| 98 | Alte 'Monotype' Fraktur | Fraktur. W/d in 1972 | |||
| 99 | Gloucester Old Style (aka Gloucester) | Roman and Italic. 1911, based on Bertram Goodhue's Cheltenham | 4(6-13½pt) 116(18pt) 117(24pt) | ||
| 100 | Typewriter (No.2) | Roman | 28 | ||
| 100 | Typewriter (No.2) | Roman Underlined | 28 | ||
| 101 | Imprint (aka Imprint Old Face) | Roman and Italic. 1912, by Meynell/Mason/Johnston, based on Caslon | 4(6-13½pt) 106(16pt & roman 18pt) 128(italic 18pt) 107(roman 24pt) 129(italic 24pt) | ||
| 102 | Alte Schwabacher | Fraktur. W/d in 1972 | |||
| 103 | Gloucester Bold | Roman and Italic | 5(6-14pt) 103(18pt) 119(24pt) | ||
| 104 | Old Style | W/d in 1964 | 1 | ||
| 105 | Typewriter (No.3) | Roman | 28 | ||
| 105 | Typewriter (No.3) | Roman Underlined | 28 | ||
| 106 | Porson (aka Greek: Porson) | Greek | 26 | ||
| 107 | Egyptian (No.1) | Roman | 2 | ||
| 108 | Italian Old Style | Roman and Italic | 4 | ||
| 1919, release delayed by war | |||||
| 109 | French Old Style | W/d in 1967 | 1 | ||
| 110 | Plantin | Roman and Italic. 1913, based on Granjon's type for Plantin | 4(5½-12pt) 4a(13½pt) 363(14pt) 106(roman 18pt) 128(italic 18pt) 107(roman 24pt) 129(italic 24pt) | ||
| 111 | French Modern | W/d in 1967 | 1 | ||
| 112 | Egyptian Condensed | W/d in 1967 | 2 | ||
| 113 | Plantin Light (aka Plantin Light Face or Light Face Plantin | Roman and Italic | 4(6-12pt) 106(roman 18pt) 128(italic 18pt) 107(roman 24pt) 129(italic 24pt) | ||
| 113 | Plantin Light | Cyrillic | |||
| 114 | Trojan | W/d in 1967 | 81 | ||
| 115 | Newspaper Smalls (aka Newspaper Small Adverts) | W/d before 1966 | 30 | ||
| 116 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |||
| 117 | Gaelic Sans-Serif (aka Gaelic or Gaelic Display) | Gaelic | 25 | ||
| 118 | Mainzer Fraktur | Fraktur. W/d in 1972 | |||
| 119 | Blado | Italic. 1923, based on Arrighi 1526 | 53(10-13pt) 139(roman 16pt) 142(italic 16pt) | ||
| 120 | Bodoni Ultra Bold (aka Ultra Bodoni) | Roman and Italic | |||
| 120 | Bodoni Ultra Bold | Cyrillic | |||
| 121 | Gaelic: Colm Cille (aka Colum Cille) | Gaelic | 407(10pt) 147(14pt) | ||
| 122 | Old Style (Prumyslava) | Roman | 453 | ||
| 123 | Worcester Old Face | W/d in 1965 | 4 | ||
| 124 | Antique Old Style (No.1) (aka Old Style Antique) | W/d in 1967 | 1 | ||
| 125 | Mediaeval (l.c. and three caps only) | W/d in 1965 | |||
| 126 | Grotesque Light (No.1) (aka Grotesque | Roman and Italic | 420(roman 5-5½pt) 431(italic 5-5½pt) 64(roman 6½-13pt) 396(italic 6½-13pt) | ||
| 127 | Typewriter (No.4) | Roman | 28 | ||
| 128 | Caslon (aka Caslon Old Face) | Roman and Italic. 1915, based on Caslon 1734 | 7(8pt) 8(9pt) 9(10pt) 10(11pt) 11 (12pt) 12(small 14pt) 384(large 14pt) 104(18pt) 160(20-small 24pt) 105(large 24pt) | ||
| 129 | Egyptian Bold (No.1) (aka Egyptian) | Roman | 3 | ||
| 130 | Egyptian | W/d in 1967 | 3 | ||
| 131 | De Vinne | W/d in 1967 | 400 | ||
| 132 | Mainzer Fraktur Halbfette | Fraktur | |||
| 133 | Chu Yin | W/d in 1967 | |||
| 134 | Mediaeval | W/d in 1965 | 4 | ||
| 135 | Bodoni (No.3) | Roman and Italic. 1921, based on Bodoni 1740-1813 | 1(6-12pt) 398(14pt) 77(roman large 14-18pt) 161(italic large 14-18pt) 78(roman 24pt) 425(italic 24pt) | ||
| 136 | Mediaeval | W/d in 1965 | 4 | ||
| 137 | Scotch Roman (No.2) (aka Old Face) | Roman and Italic. 1920 | 13(8pt) 14(9pt) 15(10pt) 16(11pt) 17(12pt) 144(roman 14-24pt) 151(italic 14-18pt) | ||
| 138 | Bold Face No.3 | Roman. W/d in 1965 | 3 | ||
| 139 | Spartan Light (aka Plate Gothic) | Roman | 18 | ||
| 140 | Spartan (aka Gothic Plate or Plate Gothic) | Roman | 18(6-12pt) 157(4&5 24pt) 155(2&3 24pt) | ||
| 141 | Spartan Bold (aka Gothic Plate or Plate Gothic) | Roman | 18 | ||
| 142 | Spartan Light Condensed (aka Plate Gothic) | Roman | 146(5pt) 18(6-12pt) | ||
| 143 | Spartan Condensed (aka Gothic Plate or Plate Gothic) | Roman | 18 | ||
| 144 | Spartan Italic (aka Plate Gothic Italic) | Italic | 18 | ||
| 145 | Spartan Wide (aka Plate Gothic) | Roman | 18 | ||
| 146 | Engravers' Titling (aka Engraver's Title) | Roman | 18 | ||
| 147 | Engravers' Bold Titling (aka Engravers' Titling or Engraver's Title or Engravers' Titling Bold) | Roman | 18 | ||
| 148 | French Old Style | W/d in 1967 | 1 | ||
| 149 | Italian Old Style Bold (aka Italian Old Style Display) | Roman | 5(6-13pt) 131(14-18pt) 132(24pt) | ||
| 150 | Grotesque Bold Extended (No.1) (aka Gothic) | Roman and Italic | 22(roman 6pt) 309(italic 6pt) 40(roman 8-14pt) 310(italic 7-12pt) 148(roman 18pt) 149(roman 24pt) | ||
| 151 | Old Style (No.4) | Roman and Italic | 20(6-11pt) 20a(12pt) 52(small 14pt) 133(roman 18-24pt) 358(italic 18pt) | ||
| 152 | Gloucester Wide (aka Gloucester Old Style Wide) | W/d in 1967 | 36(6-12pt) 134(roman 18pt) 135(roman 24pt) | ||
| 153 | Ionic (No.4) (aka Antique Extended) | W/d in 1967 | 1 | ||
| 154 | Chiswell Old Face (aka Old Face) | Roman and Italic | 102(roman 14-18pt) 103(roman 24pt) | ||
| 155 | Devanagari | Devenagari | |||
| 156 | Garamond | Roman and Italic. 1922. Roman based on Jannon 1620, Italic on Granjon 16c. | 37(6pt-12D) 99(14D) 114(roman 14-24pt) 115(italic 14-24pt) | ||
| 157 | Clearface Bold | Roman and Italic | 2(roman 6-12pt) 120(roman 14-18pt) 123(roman 24pt) | ||
| 158 | Gloucester Old Style (aka Gloucester Old Style Condensed or Gloucester) | W/d in 1967 | 4 | ||
| 159 | Old Style Bold (No.2) (aka Old Face Heavy) | Roman | 32(8-12pt) 112(14-18pt) 113(24pt) | ||
| 160 | Gloucester Bold Italic (No.1) | Italic | 3 | ||
| 161 | Antique Old Style (No.2) (aka Old Style Antique) | Roman and Italic | 29(roman 6-11pt) 41(roman 12pt) 126(roman 14-18pt) 127(roman 24pt) 54(italic 6-12pt) | ||
| 162 | Egyptian | W/d in 1967 | 3 | ||
| 163 | Newspaper Smalls | W/d in 1967 | |||
| 164 | Latin Wide (aka Wide Latin) | W/d in 1967 | 19 | ||
| 165 | Cochin | Roman and Italic. 1927, based on Peignot 1812, based on Cochin 18c. | 67(6D-13pt) 174(roman 14pt) 173(italic 14pt) | ||
| 166 | Grotesque Bold Condensed Titling (aka Grotesque Bold Condensed No.4 or Gothic Narrow or Narrow Gothic) | Roman | 403(12pt) 121(14pt) | ||
| 166 | Grotesque Bold Condensed Titling | Cyrillic | |||
| 167 | De Vinne Italic (aka Bold Face or Bold Italic) | W/d in 1967 | 3 | ||
| 168 | Grotesque Bold Extended (aka Gothic) | W/d in 1967 | 122 | ||
| 169 | Baskerville | Roman and Italic. 1923, based on Baskerville 1757 | 43(6-14pt) 136(large 14-24pt) also 141(italic 14-18pt) 150(italic 24pt) | ||
| 169 | Baskerville | Cyrillic | |||
| 170 | Poliphilus | Roman. 1923, based on Griffo's 1496 type for Aldus | 53(10-13pt) 139(roman 16pt) 142(italic 16pt) | ||
| 171 | Egyptian Bold (aka Eqyptian) | W/d in 1967 | 39 | ||
| 172 | Gloucester Bold | W/d in 1967 | 5 | ||
| 173 | Egyptian (No.4) | Roman | 137(14-18pt) 138(24pt) | ||
| 174 | Garamond Italic (No.2) | Italic. The Roman was w/d before 1966 | 42(6-12pt) 140(14-24pt) | ||
| 175 | Rockwell Shadow (aka Rockwell Shadow Titling) | Roman | |||
| 176 | Old Style Bold Outline (aka Outline or Bold Face Outline) | Roman | 100 | ||
| 177 | Newspaper Small Ads (aka Gothic or Grotesque Newspaper Smalls) | W/d in 1965 | |||
| 178 | Barbou | Roman and Italic. 1926, based on Fournier 1742 | 447 | ||
| 179 | Modern Titling (aka Titling or Titling Modern No.1) | Roman and Italic The Italic was w/d before 1966 | 47(roman 8-11pt) 48(italic 8pt) 46(roman 12pt) | ||
| 180 | Victoria Bold Condensed Titling (aka Titling or Titling Condensed or Titling: Victoria Bold Condensed) | Roman | 49 | ||
| 181 | Victoria Condensed Titling (aka Titling) | Roman | 50 | ||
| 182 | Victoria Titling (aka Titling or Titling: Victoria) | Roman | |||
| 183 | Modern (aka Titling) | W/d in 1967 | |||
| 184 | Ionic (No.3) (aka Egyptian) | W/d in 1967 | 51 | ||
| 185 | Fournier | Roman and Italic | 59(8-13½pt) 446(14pt) | ||
| (aka Fournier Old Face) | 1925, based on Fournier's St Augustin Ordinaire 1742 | ||||
| 186 | Schmale Nurnburger Gotisch | W/d in 1965 | |||
| 187 | Schmalfette Frankfurter Fraktur | Fraktur. W/d in 1967 | |||
| 188 | Horley Old Style (superceded by series 199) | W/d in 1965 | |||
| 189 | Modern (No.3) | Roman and Italic | 1 | ||
| 190 | Imprint Shadow | Roman and Italic | 4(roman) 68(italic) | ||
| 191 | Minion | ||||
| 192 | New Hellenic | Greek | 73 | ||
| 193 | Newspaper Smalls | W/d in 1965 | |||
| 194 | Plantin Bold (aka Plantin Heavy) | Roman and Italic | 5(roman 6-13½pt) 3(italic 6-12pt) 158(roman 14pt) 381(italic 14pt) | ||
| 194 | Plantin Bold | Cyrillic | |||
| 195 | Bodoni Bold | Roman | 3 | ||
| 196 | Surrey Old Style | W/d in 1967 | |||
| 197 | Canterbury | W/d in 1967 | 57 | ||
| 198 | Gloucester Bold Condensed | Roman | 60 | ||
| 199 | Horley Old Style | Roman and Italic | 56(6-13pt) 362(14pt) 367(18pt) 368(24pt) | ||
| 200 | Perpetua Bold Titling | Roman | 145 | ||
| 201 | Garamond Bold (aka Garamond Heavy) | Roman and Italic | 61(roman 6-12pt) 315(italic 6-12pt) 342(roman 14pt) 154(roman 18-24pt) | ||
| 201 | Garamond Bold | Cyrillic | |||
| 203 | Van Dijck | Roman and Italic. 1935, by Jan van Krimpen, from 17c types | 354(7-14pt) 423(14-18pt) | ||
| 204 | Grotesque Light Condensed (aka Light Face Gothic or Gothic Light Face) | W/d in 1967 | 58 | ||
| 205 | Unger Fraktur | Fraktur. W/d in 1972 | |||
| 206 | Pastonchi | Roman and Italic. 1927 | 69(9-13pt) 175(roman 14pt) | ||
| 207 | Antique Old Style (aka Antique) | Roman and Italic | 70 | ||
| 208 | Gwendolin | W/d in 1967 | |||
| 209 | Caslon Titling (aka Titling) | Roman | |||
| 210 | Musical Signs | ||||
| 211 | Century (No.2) (aka Modern) | Roman | 1 | ||
| 212 | Grotesque | W/d in 1964 | 62 | ||
| 213 | Bernard Condensed (aka Condensed Bold) | Roman | 337 | ||
| 214 | Goudy Extra Bold (aka Goudy Heavy or Goudy Heavy Face) | Roman and Italic | 95 | ||
| 215 | Grotesque (No.1) (aka Grotesque Half Fat) | Roman and Italic. 1926, based on a German origin | 421(roman 5pt) 429(italic 5pt) 65(roman 6½-13pt) 401(italic 6½-13pt) | ||
| 216 | Grotesque Bold (No.1) (aka Grotesque or Grotesque ¾ Fat) | Roman and Italic | 422(roman 5pt) 66(roman 6½-13pt) 440(italic 8-13pt) | ||
| 217 | Peninim Pointed (aka Hebrew Peninim Pointed) | Hebrew | |||
| 218 | Sonzino (Pointed) (aka Hebrew Sonzino Pointed) | Hebrew | |||
| 219 | Ashurith (Unpointed) (aka Hebrew Ashurith) | Hebrew | |||
| 220 | Peninim (Unpointed) (aka Hebrew Peninim) | Hebrew | |||
| 221 | Levênim (Unpointed) (aka Hebrew Levenim) | Hebrew | |||
| 222 | Hebrew (aka Unpointed Hebrew) | Hebrew | |||
| 223 | Devonshire Bold (aka Heavy Antique) | W/d in 1967 | |||
| 224 | Devonshire Bold Condensed (aka Condensed Heavy Antique) | W/d in 1967 | |||
| 225 | Colonna | Roman | |||
| 226 | Treyford | (for O.U.P.) | |||
| 227 | Century Schoolbook (aka Century (No.1)) | Roman and Italic. 1934, re-cut from Century magazine 1894 | 369(10-14pt) 370(18-24pt) | ||
| 228 | Rabbinic (aka Hebrew Rabbinic) | Hebrew | |||
| 229 | Newspaper Small Ads (aka News Advertisements) | W/d in 1965 | |||
| 230 | Poliphilus Titling | Roman | |||
| 231 | Gill Sans Titling (aka Gill Sans-Serif Titling) | Roman | 84 | ||
| 232 | Old Style Antique Italic | W/d in 1965 | 373 | ||
| 233 | Gill Sans Cameo (aka Gill Sans-Serif Cameo) | Roman | |||
| 233 | Gill Sans Cameo | Cyrillic | |||
| 234 | Shakespeare Titling (aka Titling) | W/d in 1967 | |||
| 235 | Typewriter (No.5) (aka Elite Typewriter) | Roman | 28 | ||
| 236 | Plantin Bold Condensed (aka Plantin Heavy Condensed) | Roman | 72(6-13pt) 366(14pt) | ||
| 237 | Modern French | (for Imprimerie Nationale) | |||
| 238 | Ashley Crawford | W/d in 1967 | |||
| 239 | Perpetua | Roman and Italic. 1928, by Eric Gill | 96 | ||
| 240 | Old Face | W/d in 1964 | 385 | ||
| 241 | Egyptian | (for Imprimerie Nationale) | |||
| 242 | Gloucester Condensed (aka Gloucester Old Style Condensed) | W/d in 1967 | 74 | ||
| 243 | Gloucester Bold Extended | Roman | 75 | ||
| 244 | Gothic Caps | W/d in 1965 | 79 | ||
| 245 | Old Style Bold Italic (aka Bold Face Italic No.2) | W/d in 1967 | 76 | ||
| 246 | Othello | 85 | |||
| 247 | Modern French | (for Imprimerie Nationale) W/d in 1965 | |||
| 248 | Othello Shadow | W/d in 1967 | |||
| 249 | Goudy Modern | Roman and Italic. 1929, by Frederic Goudy | 87 | ||
| 250 | Modern Condensed (aka Modern (No.6)) | Roman | 92 | ||
| 251 | Egyptian Condensed (aka Egyptian) | Roman | 63 | ||
| 252 | Centaur (The Italic aka Arrighi Italic) | Roman and Italic | 90(6-12pt) 322(14pt) 165(roman large 14-24pt) 166(italic large 14-24pt) | ||
| 1929. Roman based on Wiebking for Bruce Rogers 1914, based on Jenson's Venetian 1470. Italic by Frederic Warde based on Arrighi's Chancery 1524 | |||||
| 253 | Old Style Bold (aka Bold Face No.2 or Bold Face Special Line) | W/d in 1967 | 3 | ||
| 254 | Bodoni (No.4) | 1925. W/d in 1967 | |||
| 255 | Lutetia | Roman and Italic. 1930 by Jan van Krimpen. As cut by Enschedé 1925 | 334(9pt) 306(10pt) 307(13pt) 308(14D) 170(roman 16D) 171(italic 16D) 172(roman 20D) | ||
| 256 | Dürer Fraktur | Fraktur | |||
| 257 | Modern Wide (No.7) (aka Modern) | W/d in 1967 | 1 | ||
| 258 | Perpetua Titling | Roman | 97 | ||
| 259 | Antigone | Greek | 432 | ||
| 260 | Bodoni Bold (No.2) (aka Bodoni Heavy) | Roman and Italic | 2(roman 6-13pt) 143(italic 6-13pt) 417(roman 14pt) 416(italic 14pt) | ||
| 260 | Bodoni Bold | Cyrillic | |||
| 261 | Horley Old Style Bold (aka Horley Old Face Heavy) | Roman | 80 | ||
| 262 | Gill Sans (aka Gill Sans-serif) | Roman and Italic. 1929, by Eric Gill | 82(roman 5-14pt) 311(italic 5-14pt) 383(roman 18pt) | ||
| 262 | Gill Sans | Cyrillic | |||
| 263 | Modern Cancellation Fount | Roman | 1 | ||
| 264 | Albion | W/d in 1965 | |||
| 265 | Ionic (No.1) | W/d in 1967 | 321 | ||
| 266 | Gloucester Bold Condensed | W/d in 1965 | |||
| 267 | Sans-serif | W/d in 1965 | |||
| 268 | Goudy Catalogue | Roman and Italic | 83 | ||
| 269 | Goudy Bold (No.1) | Roman and Italic | 88 | ||
| 270 | Bembo (aka Aldine Bembo) | Roman and Italic. 1929. Roman based on Griffo 1495 for Aldus, Italic on Tagliente 1529 | 91(6-14pt) 163(roman 16pt) 164(italic 16pt) 169(roman 18-24pt) 168(italic 24pt) | ||
| 271 | Cloister Bold | W/d in 1967 | 86 | ||
| 272 | Cloister Old Style | W/d in 1967 | 89 | ||
| 273 | Wigan Condensed | W/d in 1965 | |||
| 274 | Grotesque Light Condensed (No.2) (aka Grotesque) | Roman | 427(5D) 94(6D-13D) | ||
| 275 | Gill Sans Bold (aka Gill Bold Sans-Serif) | Roman and Italic | 93(roman 5-14pt) 302(italic 5½-14pt) 402(roman 18pt) | ||
| 275 | Gill Sans Bold | Cyrillic | 302 | ||
| 276 | Solus | Roman. 1929. W/d in 1967 | 320 | ||
| 277 | Unger Fraktur Halbfette | Fraktur. Withdrawn in 1972 | |||
| 278 | Braggadocio | Roman | |||
| 279 | Ashley Crawford Plain | W/d in 1967 | |||
| 280 | Tamil | Tamil | |||
| 281 | Plantin Old Style (No.2) | W/d in 1967 | 305 | ||
| 282 | Egyptian Bold Condensed (aka Heavy Egyptian) | Roman | 313 | ||
| 283 | Perpetua (aka Greek Perpetua) | Greek. W/d in 1967 | |||
| 284 | Littleworth | W/d in 1967 | 371 | ||
| 285 | Fournier Shortened Capitals (aka Fournier Old Face (Shortened Caps)) | Roman and Italic | 59 | ||
| 286 | Deutsch Romisch Bold | W/d in 1967 | 304 | ||
| 287 | Plantin Bold (aka Plantin Heavy No.2) | W/d in 1968 | 5 | ||
| 288 | Bodoni (No.1) | W/d in 1966 | 364 | ||
| 289 | Plantin Condensed | W/d in 1967 | 4 | ||
| 290 | Gill Sans Shadow Line (aka Gill Sans-serif Shadowline) | Roman | |||
| 291 | Goudy Old Style | Roman and Italic | 312 | ||
| 1930, by Frederic Goudy (copy of an ATF face) | |||||
| 292 | Goudy Text | 339 | |||
| 293 | Lombardic Capitals | 343 | |||
| 294 | Bembo Condensed Italic (aka Narrow Bembo Italic) | Italic | 360(10-13pt) 361(16pt) | ||
| a294 | Goudy Bold (Sorts) | W/d before 1966 | |||
| 295 | Centaur Titling | Roman | |||
| a295 | Cloister Bold (Sorts) | W/d before 1966 | |||
| 296 | Erfurter Fraktur | Fraktur. W/d in 1964 | |||
| 297 | Acier | (not issued). W/d in 1965 | |||
| a297 | Modernistic (Sorts) | W/d before 1966 | |||
| 298 | Deutsch Romisch | W/d in 1970 | 303 | ||
| 299 | Gill Sans Cameo Ruled (aka Gill Sans-Serif Cameo Ruled) | Roman | |||
| 300 | Ulmer Fraktur Fette | Fraktur. W/d in 1964 | |||
| 301 | Typewriter (No.6) | (Elite) Roman | 28 | ||
| 302 | Typewriter (No.7) | (Pica). W/d in 1967 | 28 | ||
| 303 | Gloucester Bold | W/d in 1965 | |||
| 304 | Gill Sans Shadow Titling (aka Gill Sans-Serif Shadow) | Roman | |||
| 305 | Kino | Roman | |||
| 306 | Crossword Puzzle Solution | ||||
| a306 | Broadway (Sorts) | W/d before 1966 | |||
| 307 | Antique | W/d in 1965 | 70 | ||
| a307 | Broadway Engraved (Sorts) | W/d before 1966 | |||
| 308 | Helen Fraktur | Fraktur. W/d in 1964 | |||
| 309 | Crossword Squares | Cancelled | |||
| 310 | Imprint Bold (aka Imprint Heavy (No.1)) | Roman and Italic | 98 | ||
| 311 | Kaatskill | W/d in 1967 | |||
| 312 | Baskerville Bold (aka Baskerville Heavy) | Roman and Italic | 332 | ||
| 313 | Baskerville Semi-bold (aka Baskerville Bold) | Roman and Italic | 332 | ||
| a313 | Gallia (Sorts) | W/d before 1966 | |||
| 314 | Fridericus Antiqua | Roman and Italic | 301 | ||
| 315 | Hutten Fraktur | Fraktur. W/d in 1964 | |||
| 316 | Perpetua (No.3) | W/d in 1967 | 96 | ||
| 317 | Gill Sans Bold Titling | Roman | |||
| 318 | Grotesque Condensed (No.3) (aka Sans-serif Condensed) | Roman | 388(5D-6pt) 300(6D-13pt) | ||
| 319 | Acier Grey and White | Not issued. W/d in 1965 | |||
| 320 | Emerson | Roman and Italic 1936 by Joseph Blumenthal | 390 | ||
| 321 | Gill Sans Extra Bold | Roman | 336 | ||
| 322 | Script Bold (aka Script) | Script | |||
| 323 | Falstaff | Roman and Italic 1931 based on 19c type | 347 | ||
| 324 | Albertus Titling | Roman | |||
| 325 | Tonic Sol-Fa | ||||
| 326 | Daily Mail Modern | W/d in 1974 | |||
| 327 | Times New Roman | Roman and Italic. 1932, by Stanley Morison | 325(4¼-14pt) 426(16-18pt) | ||
| 327 | Times New Roman | Cyrillic | |||
| 328 | Times Bold Titling (No.2) | Roman | 331 | ||
| 329 | Times Titling | Roman | 328 | ||
| 330 | Egyptian Bold (aka Egyptian) | W/d in 1967 | 3 | ||
| 331 | Zethmeyer Fraktur | Fraktur. W/d in 1964 | |||
| 332 | Times Bold Titling | Roman | |||
| 333 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | |||
| 334 | Times Bold (aka Bold (The Times)) | Roman and Italic | 324(roman 5½-14pt) 325(italic 5½-14pt) | ||
| 334 | Times Bold | Cyrillic | |||
| 335 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | |||
| 336 | Missal | ||||
| 337 | Heavy Small Caps | (for Imprimerie Nationale). W/d in 1974 | |||
| 338 | Gill Sans Shadow (No.3) (aka Gill Sans-Serif Two Colour) | Roman | |||
| 339 | Times Extended Titling | Roman | 327 | ||
| 340 | Tamil Bold (aka Tamil Heavy) | Tamil | |||
| 341 | Bell | Roman and Italic | 314 | ||
| 1932, based on Richard Austin's 1788 type for Bell | |||||
| 342 | Ionic (No.2) | Roman and Italic | 317 | ||
| 343 | Gill Sans Bold Condensed (aka Gill Sans-serif Bold Condensed) | Roman | 316 | ||
| 344 | Typewriter (No.8) | (Imperial). W/d in 1967 | 28 | ||
| 345 | Times Bold (aka Bold (The Times)) | Roman | 326 | ||
| 346 | Devanagari Bold | Devenagari | |||
| 347 | Mardersteig | W/d in 1967 | |||
| 348 | Leysbourne | W/d in 1965 | 359 | ||
| 349 | Gill Sans (No.2) (aka Gill Sans-serif) | Roman and Italic | 345 | ||
| 350 | Gill Sans Bold (No.2) | Roman | 346 | ||
| 351 | Monoline Script> (aka Script Monoline) | Script | |||
| 352 | Centaur | Roman and Italic | 389(roman 18pt) 166(italic 18pt) | ||
| 353 | Gill Sans Poster (aka Gill Sans-Serif) | Roman | |||
| 354 | Antique (No.2) | W/d in 1967 | 335 | ||
| 355 | Times Hever Titling | Roman | 323 | ||
| 356 | Old English Text | W/d in 1967 | 318 | ||
| 357 | Bodoni (No.2) (aka Bodoni Book) | Roman and Italic | 319 | ||
| 358 | Times Titling | W/d in 1967 | |||
| 359 | Rockwell Bold Condensed (aka Rockwell Heavy Condensed) | Roman | 411 | ||
| 360 | Times Bold (No.3) (aka Bold (The Times)) | Roman | 324 | ||
| 361 | Gloucester Bold Titling | W/d in 1967 | |||
| 362 | Gill Sans Light (aka Gill Sans-Serif Light) | Roman and Italic | 82(roman) 311(italic) | ||
| 362 | Gill Sans Light | Cyrillic | |||
| 363 | Enge Fraktur Halbfette | Fraktur. W/d in 1967 | |||
| 364 | Goudy Catalogue (No.2) | Roman and Italic | 1(5-6pt) 419(7¾pt) | ||
| 365 | Grotesque Bold Condensed (aka Heavy Narrow Gothic) | W/d in 1967 | 333 | ||
| 366 | Inflex Bold (aka Bold Face) | Roman | 344 | ||
| 367 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |||
| 368 | Solus Bold (aka Solus Heavy) | W/d in 1967 | 320 | ||
| 369 | Jocunda | W/d in 1967 | |||
| 370 | Bembo Titling (aka Aldine Bembo Titling) | Roman and Italic | |||
| 370 | Bembo Titling | Cyrillic | |||
| 371 | Rockwell | Roman and Italic | 338 | ||
| 1934, from an American design of an Egyptian letter | |||||
| 372 | Goudy Catalogue 2 line Caps | W/d in 1965 | |||
| 373 | Gill Sans Bold Condensed Titling (No.1) (aka Gill Sans-serif Extra Bold Titling) | Roman | |||
| 373 | Gill Sans Bold Condensed Titling | Cyrillic | |||
| 374 | Walbaum | Roman and Italic. 1934, based on J.E.Walbaum, re-cut by Berthold | 349(6D-11D) 350(8D) 351(14pt) 352(14D) 353(16D) | ||
| 375 | Walbaum Medium | Roman and Italic | 355(roman 6D-12D) 356(roman 14D) 392(italic 8D-14D) 357(roman 16D) 393(italic 16D) | ||
| 376 | Baskerville Bold Titling (for Newspaper Headings) | W/d in 1965 | 374 | ||
| 377 | Baskerville Bold Large Face | W/d in 1967 | |||
| 378 | Baskerville Bold Titling (for Newspaper Headings) | W/d in 1965 | 372 | ||
| 379 | Essener Fraktur Fette | Fraktur. W/d in 1967 | |||
| 380 | Baskerville Extra Bold Titling | W/d in 1967 | |||
| 381 | Baskerville Titling (for Newspaper Headings) | W/d in 1965 | 372 | ||
| 382 | Musical Signs | ||||
| 383 | Grotesque Condensed (No.4) (aka Condensed Heavy Grotesque or Grotesque Condensed Heavy) | Roman | 341 | ||
| 383 | Grotesque Condensed | Cyrillic | |||
| 384 | Hessen Fraktur | Fraktur. W/d in 1964 | |||
| 385 | Wenceslas Script (aka Script or Script: Wenceslas) | Script . W/d in 1967 | |||
| 386 | Perpetua (No.2) | W/d in 1967 | 96 | ||
| 387 | Blücher Fraktur Fette | Fraktur. W/d in 1967 | |||
| 388 | Grock | Roman | |||
| 389 | Grotesque Light (aka Grotesque No.2) | W/d in 1967 | 2 | ||
| 390 | Rockwell Light | Roman and Italic | 338 | ||
| 391 | Rockwell Bold (aka Rockwell Heavy) | Roman and Italic | 340 | ||
| 392 | Theuerdank Fraktur | Fraktur. W/d in 1964 | |||
| 393 | Missal | Roman | 462(13½pt) 463(15pt) | ||
| 394 | Poltawski | Roman | 156 | ||
| a394 | Goudy Old Style (Sorts) | W/d before 1966 | |||
| 395 | Gloucester Bold Extra Condensed | Roman | |||
| a395 | Cloister Old Style (Sorts) | W/d before 1966 | |||
| 396 | Gloucester Extra Condensed (aka Gloucester Old Style Extra Condensed) | Roman | |||
| 397 | Menhart | Roman and Italic | 378 | ||
| 398 | Poltawski Bold | Roman | 365 | ||
| 399 | Felix Titling | Roman | |||
| 400 | Emerson | W/d in 1967 | |||
| 401 | Leibniz Fraktur | Fraktur. W/d in 1967 | |||
| 402 | Nastaliq | Cancelled | |||
| 403 | Fontana | Roman and Italic. 1936 by Giovanni Mardesteig, based on Wilson 1760 | 464(8-14pt) 488(roman 18-24pt) 464(italic 18pt) | ||
| 404 | Porson Condensed | Greek. W/d in 1967 | |||
| 405 | Grotesque Light Condensed (aka Narrow Grotesque or Grotesque Narrow) | W/d in 1967 | 414 | ||
| 406 | Gill Sans Shadow (No.1) (aka Gill Sans-serif Shadow No.1) | Roman | |||
| 407 | Antique | W/d in 1965 | 70 | ||
| 408 | Gill Sans Shadow (No.2) (aka Gill Sans-serif Shadow No.2) | Roman | |||
| 409 | Arabic (for Egyptian Government) | Cancelled, replaced by series 549 in 1946 | |||
| 410 | Imprint Bold (No.2) (aka Imprint Heavy) | Roman and Italic | 348(roman) 76(italic) | ||
| 411 | Pierre Didot | Roman and Italic. W/d in 1965 | 375 | ||
| 412 | Clarendon (No.2) | W/d in 1967 | 2 | ||
| 413 | Breitkopf Fraktur Halbfette | Fraktur | |||
| 414 | Rockwell Condensed | Roman | |||
| 415 | Arabic Display | Cancelled in 1950 | |||
| 416 | Ionic (No.5) | W/d in 1967 | 1 | ||
| 417 | Hessen Fraktur Halbfette | Fraktur. W/d in 1964 | |||
| 418 | Mainzer Fraktur | Fraktur. W/d in 1967 | |||
| 419 | Latin Condensed (aka Condensed Latin) | Roman | |||
| 420 | Runic Condensed | Roman | |||
| 421 | Times New Roman Semi-Bold | Roman and Italic | 325 | ||
| 422 | Modern (No.7) | W/d in 1965 | 376 | ||
| 423 | Jean Paul Fraktur | Fraktur. W/d in 1967 | |||
| 424 | Rockwell Extra Bold (aka Rockwell Extra Heavy) | Roman | 162 | ||
| 425 | Divina Comedia | Destroyed | |||
| 426 | Telugu | W/d in 1969 | |||
| 427 | Times New Roman Wide | Roman and Italic | 325(7-14pt) 426(22pt) | ||
| 428 | Bembo Bold (aka Bembo Heavy) | Roman and Italic | 368(6-14pt) 399(large 14-18pt) | ||
| 429 | Palace Script | Script | |||
| 430 | Gill Face | Destroyed | |||
| 431 | Floriated Capitals | Roman. 1936 | |||
| 432 | Mainzer Fraktur Halbfette | Fraktur. W/d in 1964 | |||
| 433 | Gill Moiree Shadow | Destroyed | |||
| 434 | Shadow French | Withdrawn | |||
| 435 | Heavy Shadow French | Withdrawn | |||
| 436 | Dorchester Script (aka Script: Dorchester) | Script | |||
| 437 | Fontana Bible Face | Roman and Italic | 464 | ||
| 438 | Plantin Titling | Roman | |||
| 439 | Goudy Titling | Roman | 377 | ||
| 440 | Titling | W/d in 1965 | 413 | ||
| 441 | Goudy Bold (No.2) | Roman and Italic | 382 | ||
| 442 | Gill Sans Ultra Bold (aka Gill Sans-serif Ultra Bold) | Roman | |||
| 443 | Fontana Titling | Destroyed | |||
| 444 | Modern | Cancelled 1936 | |||
| 445 | Tempest | W/d in 1973 | |||
| 446 | Breitkopf Fraktur Fette | Fraktur. W/d in 1972 | |||
| 447 | Modern Extended No.3 | W/d in 1965 | 1 | ||
| 448 | Missal Face No.3 | ||||
| 449 | Alte Fraktur Fette (aka Halbfette Alte Monotype Fraktur) | Fraktur. W/d in 1964 | |||
| 450 | Laudian Old Style | Roman and Italic | 1 | ||
| 451 | Ionic | W/d in 1967 | 380 | ||
| 452 | Emery | W/d in 1965 | |||
| 453 | Ehrhardt | Roman and Italic | 397 | ||
| 1937, based on Ehrhardt late 17c, possibly cut by Nicholas Kis | |||||
| 453 | Pitman's i.t.a. | (Ehrhardt plus Series L211 and sorts) | |||
| 454 | Laudian Old Style | Destroyed | |||
| 455 | Temple Script (aka Script: Temple) | Script | 386 | ||
| 456 | Old English Text (No.2) (aka Old English Text Light) | 318 | |||
| 457 | Sachsenwald-Gotisch | Fraktur. W/d in 1967 | |||
| 458 | Romulus | Roman and Italic. 1936 by Jan van Krimpen. Cut by Enschedé 1931 | 405(8D-14D) 406(16D-20D) | ||
| 459 | Missal Face No.4 | ||||
| 460 | Gujerathi | Gujerathi | |||
| 461 | Perpetua Bold | Roman and Italic | 379 | ||
| 462 | Indicateur | W/d in 1967 | 394 | ||
| 463 | Rundgotisch | Fraktur. W/d in 1972 | |||
| 464 | Egyptian Condensed | W/d in 1967 | 130 | ||
| 465 | Egyptian Extended | Destroyed | |||
| 466 | Roman for series 367 | Cancelled 1936 | |||
| 467 | Breitkopf Fraktur | Fraktur. W/d in 1967 | |||
| 468 | Gill Sans Bold Extra Condensed (aka Gill Sans-serif Bold Extra Condensed) | Roman | |||
| 469 | Bulmer | Roman and Italic | 412 | ||
| 1936, based on William Martin 1790 for Bulmer | |||||
| 470 | Bengali | Bengali | |||
| 471 | Modern (No.8) | W/d in 1967 | 1 | ||
| 472 | Greek: Inclined | Greek | 434 | ||
| 473 | Greek | Greek. W/d in 1967 | |||
| 474 | Times New Roman Heavy Book | Destroyed | |||
| 475 | Script Light | Script | |||
| 476 | Ionic | Destroyed | |||
| 477 | Century Schoolbook Bold | Roman | 498 | ||
| 478 | Joanna | Roman and Italic | 449 | ||
| 1937 by Eric Gill. Trade release 1958. Based on Hague & Gill's 1930 type cut by H.W.Caslon | |||||
| 479 | Emerson | Destroyed | |||
| 480 | Perpetua Light Titling (aka Perpetua Titling Light Face) | Roman | |||
| 481 | Albertus | Roman. 1932 by Berthold Wolpe | |||
| 482 | Uhlen Con Bold Fraktur (aka Ullstein Fraktur Fette Enge) | Fraktur. W/d in 1973 | |||
| 483 | Uhlen Rundgotisch | Fraktur. W/d in 1972 | |||
| 484 | Gustavus Bold | W/d in 1965 | |||
| 485 | Gill Sans Condensed | Roman | 499 | ||
| 485 | Gill Sans Condensed | Cyrillic | |||
| 486 | Sans-Serif (aka Heavy Greek) | Greek | 415 | ||
| 487 | Gill | Hebrew. W/d in 1967 | |||
| 488 | Mayer Pointed | Hebrew | |||
| 489 | Peninim | Hebrew | |||
| 490 | Lamp | Cancelled | |||
| 491 | Anchor | Cancelled | |||
| 492 | Mayer | Hebrew | |||
| 493 | Grosvenor Script (aka Script: Grosvenor) | Script | |||
| 494 | Bruce Rogers | In abeyance 1967 | |||
| 495 | B.O.A.C. | No record | |||
| 496 | Matura | Script. 1938 by Imre Reiner | |||
| 497 | Gustavus Light | W/d in 1965 | |||
| 498 | Enschedé Fraktur | Fraktur. W/d in 1967 | |||
| 499 | Sachsenwald Mager | W/d in 1965 | |||
| 500 | Modern Timetable | W/d in 1967 | |||
| 501 | Clarendon Timetable | W/d in 1967 | |||
| 502 | Grotesque Timetable | W/d in 1967 | |||
| 503 | Bold Face (aka Inflex Timetable) | W/d in 1965 | |||
| 504 | Bodoni (No.5) | Roman and Italic | 319 | ||
| 505 | Placard Light Extra Condensed | Roman | 387 | ||
| 506 | Placard Bold Condensed (No.1) | Roman | 387 | ||
| 506 | Placard Bold Condensed | Cyrillic | |||
| 507 | Urdu | Urdu | |||
| 508 | Pegasus | Roman. 1937 | |||
| 509 | Bembo Semi-Bold | Roman and Italic | 91 | ||
| 510 | Chatsworth | Roman. W/d 1965 | 391 | ||
| 511 | Condensa | Italic | |||
| 512 | Dürer Fraktur Halbfette | Fraktur. W/d in 1965 | |||
| 513 | Dürer Fraktur Fette | Fraktur. W/d in 1965 | |||
| 514 | Fanfare Bold Con. It. Titling | Italic. Destroyed | |||
| 515 | Placard Bold Condensed (No.2) | Roman | |||
| 515 | Placard Bold Condensed | Cyrillic | |||
| 516 | Fanfare Bold Con. It. Titling No.2 | Italic | |||
| 517 | L.P.T.B. Titling | W/d in 1965 | |||
| 518 | Gujerathi Bold | Gujerathi | |||
| 519 | Propylaen Fraktur | Fraktur. W/d in 1964 | |||
| 520 | Romulus Bold (aka Van Krimpen Bold) | Roman and Italic | 404 | ||
| 521 | Berliner Fraktur | Fraktur. W/d in 1965 | |||
| 522 | Placard Condensed Titling (aka Light Placard Titling) | Roman | |||
| 522 | Placard Condensed Titling | Cyrillic | |||
| 523 | Grotesque Condensed Titling (No.4) | Roman | |||
| 524 | Grotesque Bold Titling (No.1) | Roman | |||
| 525 | Gill Sans Bold Condensed Titling (No.2) | Roman | |||
| 526 | Gill Sans Extra Bold Titling | Roman | |||
| 527 | Grotesque Bold Condensed Titling (No.4) | Roman | |||
| 528 | Matura Scriptorial Capitals | ||||
| 529 | Bodoni Bold Condensed | Roman and Italic | |||
| 529 | Bodoni Bold Condensed | Cyrillic | |||
| 530 | Uhlen Rund Gotisch Caps | W/d in 1965 | |||
| 531 | Haarlemmer | W/d in 1967 | |||
| 532 | Prayer Book Face (for O.U.P.) | Cancelled | |||
| 533 | Grovura | Roman. W/d in 1965 | 1 | ||
| 534 | Albertus Light | Roman | |||
| 535 | L.M.M.Co. series 237 | Cancelled 1945 | |||
| 536 | Figaro | Roman | |||
| 537 | Morrison Face | W/d in 1974 | |||
| 538 | Albertus Bold Titling | Roman | |||
| 539 | Georgian Light | Georgian | |||
| 540 | Georgian Bold | Georgian | |||
| 541 | same as series 364 | Cancelled 1941 | |||
| 542 | Arabic Bold | Destroyed | |||
| 543 | Perpetua Titling | W/d in 1967 | |||
| 544 | Old Style Bold (No.5) | Roman | 2 | ||
| 545 | Century Bold | W/d in 1967 | |||
| 546 | Century Bold Extended | W/d in 1967 | |||
| 547 | Hebrew Schocken No.1 | Hebrew. W/d in 1974 | |||
| 548 | Lectern Missal | Roman | 472 | ||
| 549 | Arabic Naskh | Arabic | |||
| 550 | Hebrew Schocken No.2 | Hebrew. W/d in 1967 | |||
| 551 | Hebrew Schocken No.3 | Hebrew. W/d in 1967 | |||
| 552 | Sheldon | (for O.U.P.) | |||
| 553 | Old Style Bold Inclined | Greek | 436 | ||
| 554 | Festival Titling | ||||
| 555 | Angelus | Roman and Italic | 474 | ||
| 556 | Spectrum | Roman and Italic | 428 | ||
| 1955 by Jan van Krimpen. Originally cut by Enschedé 1952 | |||||
| 557 | Sinhalese | Sinhalese | |||
| 558 | Burmese Light | Burmese | |||
| 559 | Arabic Solloss | Arabic | |||
| 561 | Perpetua Semi-Bold | W/d in 1963 | |||
| 562 | Ionic Two-line | Roman | |||
| 563 | Ehrhardt | W/d in 1974 | |||
| 564 | Syriac 'Estrangelo' | Syrian | |||
| 565 | Times Upright | Greek | 438 | ||
| 566 | Times Inclined | Greek | 437, 438 | ||
| 567 | Times Bold Upright | Greek | 438, 439 | ||
| 568 | Placard Condensed (aka Placard Medium Condensed) | Roman. 1937, based on a German face | 387 | ||
| 568 | Placard Condensed | Cyrillic | |||
| 569 | Times Four-line Mathematics | ||||
| 570 | Modern Bold | Roman | 2 | ||
| 571 | Gill Sans Inclined | Greek | 450 | ||
| 572 | Gill Sans Upright | Greek | 451 | ||
| 573 | Ehrhardt Semi-Bold | Roman and Italic | 430 | ||
| 573 | Pitman's i.t.a. | (Ehrhardt plus Series L219 and sorts) | |||
| 574 | Ashley Script | Script. 1955 by Ashley Havinden | |||
| 575 | Gill Sans Bold | W/d in 1967 | |||
| 577 | Thai | Thai | |||
| 578 | Burmese Bold | Burmese | |||
| 579 | Jacno | Experimental | |||
| 580 | Tamil Medium | Tamil | |||
| 581 | Tamil Bold | Tamil. Cancelled | |||
| 582 | Rockwell Light Condensed | Film Sub-Titles | 338 | ||
| 583 | Swing Bold | Script | |||
| 584 | Mercurius Bold Script | Script. 1958 by Imre Reiner | |||
| 585 | Gill Sans Condensed | Greek | |||
| 586 | Fabritius | Roman | 497 | ||
| 587 | Georgian | Georgian | |||
| 588 | Kannada | Kannada | |||
| 589 | Arabic Naskh Accented | Arabic | |||
| 590 | Malayalam | Malayalam | |||
| 591 | Onyx | Roman | |||
| 592 | Dante | Roman and Italic | 441 | ||
| 1959 by Giovanni Mardesteig, cut by Malin 1954 | |||||
| 593 | Klang | 1955 by Will Carter | |||
| 594 | Research for Bruce Rogers Titling | ||||
| 595 | Headline Bold | Roman and Italic | 443 | ||
| 1956, based on Stephenson Blake's Grotesque No.9 | |||||
| 596 | Futura Buchschrift | Suspended 1960 | |||
| 597 | Old Bulgarian | Old Bulgarian | |||
| 598 | Glagolitic | Glagolitic | |||
| 599 | Amharic | Amharic | |||
| 600 | Castellar | Roman. 1957 by John Peters | |||
| 601 | Gurmukhi Bold | Gurmukhi | |||
| 602 | Typewriter IBM "Executive'' | Roman | 442 | ||
| 603 | Octavian | Roman and Italic | 485 | ||
| 1964 by Will Carter & David Kindersley | |||||
| 604 | Gurmukhi (aka Gurmukhi Light) | Gurmukhi | |||
| 605 | Placard Light Extra Condensed | Greek | |||
| 606 | New Face (for Frankfurt) | Suspended in 1964 | |||
| 607 | New Face Bold (for Frankfurt) | Suspended in 1964 | |||
| 608 | Thai Light | Thai | |||
| 609 | Louvain Coptic | Coptic | |||
| 610 | New Emerald Bible | (for O.U.P.) | |||
| 611 | Thai Bold | Thai | |||
| 612 | Dante Titling | Roman | |||
| 613 | Pepita | Script. 1959 by Imre Reiner | |||
| 614 | Forte | Script | |||
| 615 | New Grotesque | W/d in 1974, apart from ''A'' | |||
| 616 | New Grotesque Bold | W/d in 1974, apart from ''A'' | |||
| 617 | New Clarendon | Roman and Italic. 1960, based on 19c Clarendon | 481 | ||
| 618 | New Clarendon Bold | Roman | 482 | ||
| 619 | Bell Gothic | Roman | 445 | ||
| 620 | Bell Gothic Bold | Roman | 445 | ||
| 621 | Thai Medium | Thai | |||
| 624 | Amharic | Amharic | |||
| 625 | Gill Sans Bold Upright | Greek | 452 | ||
| 626 | Telugu Medium | Telugu | |||
| 627 | Times New Roman Book | Roman and Italic | 325(7½pt-14D) 426(24pt) | ||
| 628 | Thai Light Italic | Thai | |||
| 629 | Traveller | Roman | |||
| 632 | Fleet Titling | Roman. 1967 | |||
| 633 | Chinese | W/d in 1974 | |||
| 636 | Figaro Bold | Cancelled in 1967 | |||
| 638 | Armenian | Armenian | |||
| 639 | Times Cosmoli Titling | W/d in 1966 | |||
| 643 | Berling | Roman and Italic. W/d in 1973 | 495 | ||
| 644 | Berling Semi-Bold | Roman. W/d in 1973 | 496 | ||
| 646 | Janson | W/d in 1972 | |||
| 649 | Arabic Naskh Bold | Arabic | |||
| 650 | Century Schoolbook | Roman and Italic | |||
| 651 | Century Schoolbook Bold | Roman | |||
| 652 | Opus | Cancelled in 1966 | |||
| 657 | Sinhalese Bold | Sinhalese | |||
| 660 | Malayalam | Malayalam | |||
| 662 | Gill Sans Light (No.2) | Roman | 345 | ||
| 663 | Plantin Semi-Bold | Roman and Italic | 5(roman) 3(italic) | ||
| 666 | New Grotesque Light | W/d in 1967, apart from 'A' | |||
| 667 | Times Bold Inclined | Greek | 437, 438 | ||
| 668 | Placard Condensed Upright | Greek | |||
| 669 | Sabon | Roman and Italic. 1968 by Jan Tschichold | 503 | ||
| 670 | Bengali Bold | Cancelled in 1967 | |||
| 672 | Gill Sans Light Upright | Greek | 451 | ||
| 673 | Sabon Semi-Bold | Roman | 503 | ||
| 674 | Walbaum | Roman and Italic | 349 | ||
| 680 | Grotesque Bold | Roman | 502 | ||
| 682 | Dante Semi-Bold | Roman and Italic | 504 | ||
| 683 | Grotesque Condensed Upright | Greek | |||
| 684 | Univers Extra Light Extra Condensed | Roman | |||
| 685 | Univers Light | Roman and Italic | 483 | ||
| 686 | Univers Light Condensed | Roman and Italic | 492 | ||
| 687 | Univers Light Extra Condensed | Roman | 501 | ||
| 688 | Univers Medium Expanded | Roman | 491 | ||
| 689 | Univers Medium | Roman and Italic | 483 | ||
| 1961 by Adrian Frutiger, originally for Deberny & Peignot 1957 | |||||
| 690 | Univers Medium Condensed | Roman and Italic | 493 | ||
| 691 | Univers Medium Extra Condensed | Roman | 500 | ||
| 692 | Univers Bold Expanded | Roman | 491 | ||
| 693 | Univers Bold | Roman and Italic | 486 | ||
| 694 | Univers Bold Condensed | Roman and Italic | 494 | ||
| 695 | Univers Extra Bold Expanded | Roman | 490 | ||
| 696 | Univers Extra Bold | Roman and Italic | 484 | ||
| 697 | Univers Ultra Bold Expanded | Roman | 490 | ||
| 698 | Sinhalese Italic | Sinhalese | |||
| 699 | Sinhalese Bold Italic | Sinhalese | |||
| 700 | Bengali | Bengali | |||
| 701 | Bengali Bold | Bengali | |||
| 704 | Gujerathi | Gujerathi | |||
| 706 | Oriya | Oriya | |||
| 707 | Urdu Bold | Urdu | |||
| 708 | Tamil Medium | Tamil | |||
| 718 | Grotesque Condensed Upright | Greek | |||
| 721 | Farsi | Arabic | |||
| 726 | Telugu Bold | Telugu | |||
| 727 | Times New Roman (Light Caps) | Roman | 325 | ||
| 739 | Spartan Light Upright | Greek | 454 | ||
| 740 | Spartan Upright | Greek | 454 | ||
| 741 | Spartan Bold Upright | Greek | 454 | ||
| 755 | Devanagari Italic | Devenagari | |||
| 756 | Spectrum Semi-Bold | Roman | 509 | ||
| 760 | Bodoni Bold Titling | Roman | |||
| 765 | Helvetica | Roman and Italic | 508 | ||
| 766 | Helvetica Medium | Roman and Italic | 508 | ||
| 773 | Plantin Light | Roman and Italic | 4 | ||
| 787 | Kannada Semi-Bold | Kannada | |||
| 788 | Kannada Bold | Kannada | |||
| 827 | Times New Roman (French) | Roman and Italic | 325 | ||
| 889 | Univers Medium Upright | Greek | 506 | ||
| 893 | Univers Bold Upright | Greek | 507 | ||
| 989 | Univers Medium Inclined | Greek | 506 | ||
| H | Titling (Caps) | Roman | 33(11pt) 34(12pt) | ||
| L8 | Gill Sans Bold Timetable | Roman | |||
| L17 | Calendar Figures | Roman | |||
| L19 | Calendar Days | Roman. (Matches 103) | |||
| The L range goes up to L433, and is mostly cameo, inferior and superior founts | |||||
| M | Gothic | Roman | 38 | ||